पुनर्नो तनुसंबंधस्तनुद्वेषिप्रसादतः । आनंदवनमासाद्य स तपः शरणं गतः
punarno tanusaṃbaṃdhastanudveṣiprasādataḥ | ānaṃdavanamāsādya sa tapaḥ śaraṇaṃ gataḥ
“Nawa’y wala na akong muling pagkakabigkis sa katawan, sa biyaya ng Kinasusuklaman ng katawan (Śiva, tagapaglusaw ng pagkakatawang‑tao).” Pagdating sa Ānandavana, siya’y kumupkop sa tapas, at ginawang kanlungan ang pag‑aayuno at pagninilay.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Ānandavana (Kāśī)
Type: kshetra
Listener: null
Scene: Harikeśa arrives in Ānandavana and begins austerities: seated under a sacred tree, japa-mālā in hand, minimal possessions, the atmosphere suffused with quiet bliss and Śiva’s unseen grace dissolving body-bondage.
Liberation is sought through Śiva’s grace and disciplined tapas, aiming at ending repeated embodiment.
Ānandavana/Ānandakānana within Kāśī.
Tapas (austerity/penance) is presented as the chosen spiritual refuge after reaching Ānandavana.