दारिद्र्यदमनी दक्षा दुष्प्रेक्षा दिव्यमंडना । दीक्षावतीदुरावाप्या द्राक्षामधुरवारिभृत्
dāridryadamanī dakṣā duṣprekṣā divyamaṃḍanā | dīkṣāvatīdurāvāpyā drākṣāmadhuravāribhṛt
Siya ang pumapawi sa karalitaan, ang mahusay at marunong; mahirap masilayan ng marurumi, ngunit siya ang hiyas ng mga diyos. Taglay niya ang banal na dīkṣā at mahirap marating—dala niya ang tubig na kasingtamis ng ubas, na nagkakaloob ng ligaya at biyaya.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Gaṅgā in Kāśī (śrī-pradā and śuddhi-pradā)
Type: ghat
Listener: Ṛṣi audience / tīrtha-yātrika ideal listener
Scene: Gaṅgā as a divine ornament of the gods, shimmering with jewel-like water; a poor devotee’s empty bowl becomes filled (symbolic poverty-subduing); a veil-like aura hides her from the impure; grapes/vines motif subtly indicates ‘drākṣā-madhura’ sweetness.
True prosperity is portrayed as a fruit of devotion and consecration (dīkṣā); the Goddess removes inner and outer lack when approached with purity.
The Kāśīkhaṇḍa framework situates this praise within Kāśī’s sacred sphere, where Devī-Śiva worship is held to be especially fruitful.
Dīkṣā (religious initiation/consecration) is referenced as a divine attribute, implying disciplined entry into mantra and worship.