व्योम्नापि शब्दगुणिना ध्रुवाराधनबुद्धिना । शब्दजातस्त्वशेषोपि तत्कर्ण शरणीकृतः
vyomnāpi śabdaguṇinā dhruvārādhanabuddhinā | śabdajātastvaśeṣopi tatkarṇa śaraṇīkṛtaḥ
Maging ang Kalangitan, na ang likas na katangian ay tunog, sa isip na nakatuon sa pagsamba kay Dhruva, ay pinasuko ang buong sangkawan ng mga tunog; lahat ng tinig ay nagkanlong sa kaniyang tainga at napahinuhod.
Skanda (deduced, Kāśīkhaṇḍa norm: Skanda → Agastya)
Tirtha: Kāśī-kṣetra
Type: kshetra
Scene: A yogin absorbed in unwavering worship; the sky above is filled with swirling glyph-like sound-forms that stream inward and settle at his ear, as if all noise becomes a single sacred tone.
Devotional steadiness disciplines perception itself; even ‘sound in space’ is portrayed as subdued before concentrated worship.
The Kāśī-kṣetra milieu of the Kāśīkhaṇḍa, where worship and tapas are celebrated as uniquely efficacious.
No direct prescription; it implies focused ārādhana (worship) and inner restraint as the practice.
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