रेवायां पुरतः कृत्वा पुरा नन्दी गणेश्वरः । तपस्तपञ्जयं कुर्वंस्तीर्थात्तीर्थं जगाम ह
revāyāṃ purataḥ kṛtvā purā nandī gaṇeśvaraḥ | tapastapañjayaṃ kurvaṃstīrthāttīrthaṃ jagāma ha
Noong unang panahon, si Nandī—ang panginoon ng mga gaṇa ni Śiva—na inilalagay sa unahan ang Revā (Narmadā) bilang banal na patnubay, ay naglakbay mula tīrtha hanggang tīrtha, nagsasagawa ng matinding tapas at dinaraig ang mga hirap nito.
Narrator (Purāṇic narrator within Revā-khaṇḍa context)
Tirtha: Revā tīrthas (series)
Type: ghat
Listener: King (rājendra)
Scene: Nandī, anthropomorphized as a powerful devotee or shown as Śiva’s bull with divine aura, travels along the Narmadā, stopping at successive ghāṭs; ascetics and forested banks accompany the journey.
True pilgrimage is not mere travel; it is tapas—disciplined endurance and devotion—carried from tīrtha to tīrtha.
The Revā (Narmadā) region as a sacred pilgrimage landscape, approached through successive tīrthas along the river.
Tīrtha-yātrā undertaken with tapas (austerity/discipline); the verse frames pilgrimage itself as a religious practice.
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