Ramayana — Ayodhya Kanda, Sarga 114, Shloka 16
अयोध्याप्रवेशः
Bharata Enters Ayodhya and Perceives the City’s Desolation
विपुलां विततां चैव युक्तपाशां तरस्विनाम्। भूमौ बाणैर्विनिष्कृत्तां पतितां ज्यामिवायुधात्।।2.114.16।।
vipulāṃ vitatāṃ caiva yuktapāśāṃ tarasvinām | bhūmau bāṇair viniṣkṛttāṃ patitāṃ jyām ivāyudhāt || 2.114.16 ||
Nakahandusay sa lupa na wari’y pisi ng busog na naputol at kumalas sa sandata—malapad at nakaunat, may mga panaling-singsing, ngunit tinamaan ng mga palaso at bumagsak.
FAQs
The image of something ‘severed’ and fallen suggests the rupture of rightful order; dharma is portrayed as a sustaining tension (like a bowstring) whose loss collapses the city’s vitality.
Ayodhya is being depicted through a sequence of similes as emptied and broken in spirit after Rama’s banishment.
Rama’s centrality to civic well-being is implied; the city’s fall mirrors the absence of the dharmic exemplar.