सर्वे विधूतपापास्ते गता वै केशवालयम् । न्यग्रोधस्योत्तरे किंचिद्दक्षिणे केशवस्य तु ॥ ६९ ॥
sarve vidhūtapāpāste gatā vai keśavālayam | nyagrodhasyottare kiṃciddakṣiṇe keśavasya tu || 69 ||
Silang lahat sila, nahugasan na ang mga kasalanan, ay tunay na nagtungo sa Keśavālaya—ang tahanan/templo ni Keśava—na nasa bahagyang hilaga ng punong Nyagrodha (banyan) at nasa timog ng Keśava.
Narada (narrating in a Tirtha-Mahatmya section; traditional dialogue frame with Sanatkumara context)
Vrata: none
Rasa: {"primary_rasa":"shanta","secondary_rasa":"bhakti","emotional_journey":"From purification (sins washed away) to purposeful movement toward Keśava’s abode, with calm certainty of auspicious directionality."}
It highlights tirtha-yatra as a purifier: the devotees become vidhūta-pāpāḥ (sins cleansed) and proceed to Keśava’s sacred abode, emphasizing Vishnu’s shrine as a culmination point of merit and devotion.
Bhakti is shown through movement toward Keśava’s presence—approaching the Lord’s ālaya with purified intent—where pilgrimage is not mere travel but an act of surrender and reverent darśana.
It reflects practical sacred-topography and ritual guidance (a tirtha-mahatmya feature): directional markers (uttara/dakṣiṇa) used for locating shrines during pilgrimage observances, supporting correct performance of yatra and darśana.