Description of the Rules for Charitable Gifts and Related Rites
Gaṅgā-māhātmya
भेरीशंखमृदंगादिनिर्घोषान्स्रग्विभूषितान् । गन्धर्वदेहरुचिरान्दिव्यभोगसमन्वितान् ॥ १२ ॥
bherīśaṃkhamṛdaṃgādinirghoṣānsragvibhūṣitān | gandharvadeharucirāndivyabhogasamanvitān || 12 ||
Sila’y may mga kuwintas ng bulaklak, umaalingawngaw sa tunog ng bhērī, śaṅkha at mṛdaṅga; maningning ang katawan na tila mga Gandharva, at pinagkalooban ng mga kaligayahang makalangit.
Narada (narrative voice within Uttara-Bhaga mahatmya description)
Vrata: none
Rasa: {"primary_rasa":"adbhuta","secondary_rasa":"vira","emotional_journey":"From the powerful sonic burst of conches and drums to the triumphant display of garlanded, radiant gandharva-like beings enjoying divine pleasures."}
It portrays the auspicious, heaven-like fruition (phala) of great merit—marked by sacred sounds, adornment, beauty, and divine enjoyments—typical of tirtha-mahatmya passages that motivate dharmic practice.
By emphasizing divine splendor and joy as outcomes of sacred acts, it supports the Purāṇic bhakti framework where devotion and dharma expressed through pilgrimage, worship, and praise culminate in elevated states and divine association.
Ritual sound and auspicious markers are implied: the use of śaṅkha and percussion aligns with śrauta/smārta worship conventions (prayoga), pointing to applied ritual practice rather than a specific Vedāṅga doctrine.