Yama’s Journey to Brahmaloka
Ekadashi–Dvadashi Mahatmya in the Rukmangada Cycle
शुचिं शुचिपदं हंसं ब्रह्माणं दर्भलांछनम् । उपास्यमानं विविधैर्लोकपालैर्दिगीश्वरैः ॥ ४१ ॥
śuciṃ śucipadaṃ haṃsaṃ brahmāṇaṃ darbhalāṃchanam | upāsyamānaṃ vividhairlokapālairdigīśvaraiḥ || 41 ||
Nakita niya si Brahmā—dalisay, nakatatag sa walang dungis na kalagayan, tulad ng Hamsa, may tanda ng sagradong damong darbha—na sinasamba ng iba’t ibang tagapangalaga ng mga daigdig at mga panginoon ng mga direksiyon.
Narada (narrating/describing the vision within the Tirtha-Mahatmya narrative)
Vrata: none
Rasa: {"primary_rasa":"adbhuta","secondary_rasa":"bhakti","emotional_journey":"Visionary wonder at Brahmā’s purity and swan-like transcendence deepens into reverent devotion as the lokapālas and digīśvaras worship him."}
It highlights the sanctity of divine darśana: Brahmā is portrayed as intrinsically pure and worthy of reverence, and even cosmic authorities (Lokapālas/Dikīśvaras) model worship—teaching that purity and devotion are central to tirtha-based spiritual uplift.
Bhakti is shown through upāsanā (reverent worship): the highest beings honor Brahmā, implying that disciplined reverence, humility, and service are integral to devotion—especially in a tirtha-mahātmya setting where worship amplifies merit.
Ritual practice is implied through darbha (kuśa) symbolism—used in Vedic rites for sanctification and correct procedure (kalpa/ācāra). The verse reinforces the importance of purity markers and proper ritual implements in orthodox worship.