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Shloka 95

The Account of Kāṣṭhīlā (Kāṣṭhīlā-ākhyāna) within the Mohinī Narrative

ज्ञात्वा त्वां जरयोपेतां विरूपामतिजिह्यगाम् । सुप्तां पितृगृहे रात्रौ मां समासाद्य कामतः ॥ ९५ ॥

jñātvā tvāṃ jarayopetāṃ virūpāmatijihyagām | suptāṃ pitṛgṛhe rātrau māṃ samāsādya kāmataḥ || 95 ||

Nang malaman niyang ikaw ay dinaig ng katandaan, napapangit at labis ang pagkakaluwa ng dila, sa gabi sa bahay ng iyong ama, habang ikaw ay natutulog, lumapit siya sa akin dahil sa pagnanasa.

ज्ञात्वाhaving known
ज्ञात्वा:
Purvakala (पूर्वकाल/Preceding action)
TypeIndeclinable
Root√ज्ञा (धातु)
Formक्त्वान्त अव्यय (absolutive/gerund): 'having known/recognized'
त्वाम्you
त्वाम्:
Karma (कर्म/Object)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formद्वितीया (2nd), एकवचन; सर्वनाम
जरा-उपेताम्afflicted with old age
जरा-उपेताम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootजरा (प्रातिपदिक) + उपेत (कृदन्त, √इ)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; कृदन्तः—क्त from √इ (एति) with उपसर्ग उप-; समासः—तृतीया-तत्पुरुष (जरया उपेता)
विरूपाम्ugly, deformed
विरूपाम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootविरूप (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; विशेषण
अति-जिह्य-गाम्very crooked/limping in gait
अति-जिह्य-गाम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootअति (उपसर्ग/अव्यय) + जिह्य (प्रातिपदिक) + गा (प्रातिपदिक; from √गम्)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; समासः—तत्पुरुष (अतिशयेन जिह्यं गच्छति/गता इति: 'very crooked-going'); बहुवचनार्थ-न; विशेषण
सुप्ताम्sleeping
सुप्ताम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootसुप्त (कृदन्त, √स्वप्)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; कृदन्तः—क्त (PPP) from √स्वप्
पितृ-गृहेin the father's house
पितृ-गृहे:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootपितृ (प्रातिपदिक) + गृह (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन; समासः—षष्ठी-तत्पुरुष (पितुः गृहम्)
रात्रौat night
रात्रौ:
Adhikarana (अधिकरण/Time)
TypeNoun
Rootरात्रि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th), एकवचन (locative of time)
माम्me
माम्:
Karma (कर्म/Object)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formद्वितीया (2nd), एकवचन; सर्वनाम
समासाद्यhaving approached
समासाद्य:
Purvakala (पूर्वकाल/Preceding action)
TypeIndeclinable
Rootसम्-आ-√सद् (धातु)
Formक्त्वान्त अव्यय (absolutive/gerund): 'having approached/attained'
कामतःas desired; at will
कामतः:
Hetu/Prayojana (हेतु/प्रयोजन)
TypeIndeclinable
Rootकाम (प्रातिपदिक)
Formतसिल्-प्रत्ययान्त अव्यय (adverbial ablative): 'according to desire/at will'

Narrator within the Purana’s dialogue frame (Uttara-bhaga narrative voice, traditionally Suta relating the account)

Vrata: none

Primary Rasa: bibhatsa

Secondary Rasa: karuna

FAQs

The verse highlights how kāma (lust) can override propriety and dharma, depicting adharma as a cause of moral and spiritual downfall within a Purāṇic narrative.

By portraying desire-driven wrongdoing, the verse implicitly contrasts such impulses with the bhakti ideal of self-restraint (dama) and purity of conduct (sadācāra), which support steady devotion to Bhagavān.

No specific Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Kalpa) is taught directly here; the takeaway is ethical discipline—control of senses and adherence to dharma—often presupposed in Kalpa/Sadācāra traditions.