The Liberation of the Lizard
Godhā-vimukti
यद्योगिगम्यं हुतभुक्प्रकाशं वरं वरेण्यं परमात्मभूतम् । तम्मादियं चैव शिखिप्रदीपा जगत्प्रकाशाय नृपप्रसूता ॥ ७४ ॥
yadyogigamyaṃ hutabhukprakāśaṃ varaṃ vareṇyaṃ paramātmabhūtam | tammādiyaṃ caiva śikhipradīpā jagatprakāśāya nṛpaprasūtā || 74 ||
Ang Kataas-taasang Katotohanan—pinakamainam at karapat-dapat sambahin—na naaabot ng mga yogin, nagniningning na parang apoy ng handog, at may likas na Paramātman: Siya nga ang sariling anak ng babae. Ipinanganak sa angkan ng hari, siya’y naging lamparang apoy upang liwanagan ang sanlibutan.
Narada (narration within Uttara-Bhaga, Tirtha-Mahatmya style discourse)
Vrata: none
Primary Rasa: shanta (peace)
Secondary Rasa: adbhuta (wonder)
It identifies the Supreme Reality as the Paramātman—known to yogins and radiant like Agni—and portrays divine manifestation as ‘world-illumination,’ emphasizing liberation-oriented insight (mokṣa) through inner realization.
By describing the Supreme as ‘most worthy of choice’ (vareṇya), it frames the Divine as the highest object of reverence; devotion becomes an act of choosing and adoring the supreme light that dispels ignorance.
The verse uses Agni imagery tied to yajña vocabulary (hutabhuk), reflecting ritual language and symbolism (kalpa/śrauta context), while redirecting it toward contemplative meaning—Agni as inner spiritual light.