Bhakti-Śraddhā-Ācāra-Māhātmya and the Commencement of the Mārkaṇḍeya Narrative
अश्रुभिः क्षालयंस्तस्य चरणौ हर्षसंभवैः । शिरस्यञ्चलिमाधाय स्तोतुं समुपचक्रमे ॥ ८२ ॥
aśrubhiḥ kṣālayaṃstasya caraṇau harṣasaṃbhavaiḥ | śirasyañcalimādhāya stotuṃ samupacakrame || 82 ||
Hinugasan niya ang mga paa ng Panginoon ng mga luhang bunga ng kagalakan; saka inilagay ang magkasalikop na kamay sa ibabaw ng ulo, at nagsimulang magpuri.
Sūta (narrator) describing the devotee’s act of reverence within the Narada–Sanatkumāra dialogue frame
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: karuna
It presents bhakti as embodied reverence: joy-born tears sanctify the act of serving the revered one’s feet, and añjali on the head expresses complete surrender before beginning praise.
Bhakti is shown as heartfelt and physical service (pāda-sevā) joined with humility (añjali) and then expressed as stotra—devotion moving from inner emotion to disciplined worship.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught in this verse; it instead highlights ritual etiquette (ācāra) associated with respectful worship and the proper commencement of hymns.