तालकांस्यादिनिनदं कुर्वन् विष्णुगृहे नरः । सर्वपापविनिर्मुक्तो विष्णुलोकमवाप्नुयात् ॥ १४९ ॥
tālakāṃsyādininadaṃ kurvan viṣṇugṛhe naraḥ | sarvapāpavinirmukto viṣṇulokamavāpnuyāt || 149 ||
Ang sinumang nagpapalabas ng tunog ng mga simbalo, kampana, mga instrumentong tanso at iba pa sa dambana ng bahay ni Vishnu ay napapalaya sa lahat ng kasalanan at nakakamit ang daigdig ni Vishnu.
Sanatkumara (teaching Narada in the devotional-ritual context of Vishnu worship)
Vrata: none
Primary Rasa: bhakti (devotion)
Secondary Rasa: adbhuta (wonder)
It praises a simple act of temple-devotion—creating auspicious devotional sound in Viṣṇu’s shrine—as a purifier that removes sin and supports the soul’s ascent toward Viṣṇu’s realm.
Bhakti is shown as accessible and action-based: even assisting worship through sound (bells/cymbals during pūjā and ārati) becomes an offering to Viṣṇu, yielding purification and a devotional goal (Viṣṇuloka).
Ritual-practice (kalpa-oriented temple procedure) is implied: using auspicious instruments and regulated sound as part of pūjā/ārati in Viṣṇu-gṛha, emphasizing correct devotional observance rather than speculative theory.