Maṅgalācaraṇa, Naimiṣāraṇya-Sabhā, Sūta-Āhvāna, and Narada Purāṇa-Māhātmya
वावयेत्पुरतो विष्णोः पुण्यक्षेत्रे द्विजान्तिके । ब्रह्यद्रोहपराणां च दंभाचारयुतात्मनाम् ॥ ४८ ॥
vāvayetpurato viṣṇoḥ puṇyakṣetre dvijāntike | brahyadrohaparāṇāṃ ca daṃbhācārayutātmanām || 48 ||
Dapat ipagawa ang banal na pagbigkas na ito sa harap ni Viṣṇu—sa banal na pook at sa piling ng mga brāhmaṇa—lalo na para sa mga taong nagtataglay ng pagkapoot sa sagrado (Brahman/brāhmaṇa) at ang isip ay nakakabit sa pagkukunwari at masamang asal.
Narada (instructional narration within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: karuna
It prescribes a corrective, purificatory act—devotional recitation before Viṣṇu at a sacred place in the presence of brāhmaṇas—aimed at reforming those tainted by brahma-droha (anti-sacred hostility) and dambha (hypocrisy).
Bhakti is presented as an active remedial discipline: placing oneself before Viṣṇu and engaging in sanctioned recitation (parāyaṇa) within a dharmic setting (tīrtha and brāhmaṇa-satsaṅga) to transform impure tendencies.
It highlights ritual-practice protocol (proper place—puṇyakṣetra; proper officiant/audience—dvija), aligning devotional recitation with dharmic procedure—closest to Kalpa-oriented discipline (right performance and context).