Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
भ्राजत्किरीटवलयं मणिनूपुरशोभितम् । ददर्श सिद्धनि करैः सेव्यमानमहर्निशम् ॥ ४९ ॥
bhrājatkirīṭavalayaṃ maṇinūpuraśobhitam | dadarśa siddhani karaiḥ sevyamānamaharniśam || 49 ||
Nakita niya ang Maningning na Yaon, may kumikislap na korona at mga palamuti sa bisig, pinaganda ng mga anklet na may hiyas; at Siya’y walang tigil na pinaglilingkuran ng mga pangkat ng Siddha, araw at gabi.
Narada (narrating in dialogue, traditionally to Sanatkumara and the Sanaka brothers in this Moksha-Dharma section)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: shanta (peace)
It highlights divine darśana: the Supreme (or a revered deity) is perceived as eternally resplendent and worthy of uninterrupted service, showing that perfected beings (Siddhas) naturally remain absorbed in constant reverence.
Bhakti is presented as continuous sevā (service) rather than occasional worship—day-and-night attendance by Siddhas models unbroken remembrance and devotion as a direct means toward mokṣa.
While not a technical Vedāṅga passage, it implicitly supports Kalpa (ritual discipline) through the ideal of regular, uninterrupted worship (nitya-sevā) and proper honoring of the deity in devotional practice.