Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
काष्टाढ्यमदृढं सूय बहुशिल्पयुतं बुधे । चित्रयुक्तं नवं शुक्रे दृढे रम्ये गुरौ गृहम् ॥ ८७ ॥
kāṣṭāḍhyamadṛḍhaṃ sūya bahuśilpayutaṃ budhe | citrayuktaṃ navaṃ śukre dṛḍhe ramye gurau gṛham || 87 ||
Kapag ang Araw ang naghahari, ang bahay ay sagana sa kahoy ngunit di gaanong matibay; kapag si Budha (Merkuryo) ang namamayani, ito’y hitik sa maraming sining at gawain; kapag si Sukra (Benus) ang umiiral, ito’y bago at pinalamutian ng mga larawan; at kapag si Guru (Hupiter) ang namumuno, ang bahay ay matatag at kaaya-aya.
Sanatkumara (in dialogue instruction to Narada on applied Jyotisha/omens)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames household life as part of dharma guided by Vedāṅga Jyotiṣa—showing that material outcomes (stability, beauty, craftsmanship) arise from cosmic order, encouraging disciplined, sattvic decision-making rather than randomness.
Indirectly: by aligning one’s actions (like building a home) with dharmic and cosmic principles, a devotee maintains order and purity in worldly duties, supporting a steady mind fit for Vishnu-bhakti and spiritual practice.
Vedāṅga Jyotiṣa applied to outcomes of construction: the verse links planetary influence (Sūrya, Budha, Śukra, Guru) with observable qualities of a dwelling—useful for selecting auspicious timing/conditions in traditional practice.