Narada Purana — Purva Bhaga, Shloka 162
Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
रंध्रायव्यचगः सूर्यादोष्टधीखे सगोर्गुरो । ज्ञाब्धित्र्यायारिगोरात्रिषट्ध्यध्यांत्यगोषु च ॥ १६२ ॥
raṃdhrāyavyacagaḥ sūryādoṣṭadhīkhe sagorguro | jñābdhitryāyārigorātriṣaṭdhyadhyāṃtyagoṣu ca || 162 ||
Ang talatang ito ay isang nakakodigong sunod-sunod na pantig (mnemonikong gaya ng mantra-nyāsa o teknikal na pagbigkas), na nagtuturo ng tiyak na paglalagay at pagsasanib ng mga tunog—nagsisimula sa “randhra”, kasunod ang mga pangkat na “āya-vya-ca-ga”, at iba pang hanay na kaugnay ng “sūrya”, “doṣṭa-dhī-khe”, “sa-goḥ-guro” at iba pa—para sa eksaktong gamit sa ritwal, hindi para sa salaysay.
Narada (within an instructional/technical passage transmitted in Moksha-Dharma context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It functions as a technical mnemonic: spiritual efficacy is implied through precision in sacred sound—showing that correct phonetic sequencing and placement can support sādhanā aimed at purification and mokṣa.
Indirectly: it does not narrate bhakti explicitly, but it supports devotional practice by preserving exact mantra/recitation mechanics used in Vishnu-oriented ritual and contemplative disciplines.
Primarily Śikṣā (Vedic phonetics) and related technical recitation/nyāsa conventions—using syllabic clusters and code-words (e.g., sūrya, rātri, ṣaṭ) to encode precise oral instructions.