Shloka 4
Adhyaya 87 — The Slaying of Dhumralochana and the Emergence of Kali; the Fall of Chanda and Munda (Chamunda Named)
ततः कोपं चकारोच्चैरम्बिका तानरीन् प्रति ।
कोपेन चास्या वदनं मषीवर्णमभूत्तदा ॥
tataḥ kopaṃ cakāroccair ambikā tān arīn prati / kopena cāsyā vadanaṃ maṣīvarṇam abhūt tadā
Pagkaraan, si Ambikā ay nag-alab sa matinding poot laban sa mga kaaway na iyon; at dahil sa poot na iyon, sa sandaling yaon ang kanyang mukha ay naging kulay ng tinta (madilim).
FAQs
Divine ‘anger’ here is not petty emotion but protective force: when adharma attempts violation, śakti manifests a fierce form to restore order.
Manvantara-framed dharma narrative; illustrates the governance of the cosmos through divine intervention rather than creation cycles.
The ink-dark face signals entry into the Kālī principle: the power that dissolves ego, fear, and impurity. Darkness here signifies the unconditioned, beyond-name-and-form aspect of śakti that consumes adharma.