Adhyaya 79 — The Vaivasvata Manvantara: Classes of Devas, the Seven Sages, and Manu’s Nine Sons
वैवस्वतमिदं ब्रह्मन् कथितान्ते मयाऽन्तरम् ।
अस्मिन् श्रुते नरः सद्यः पठिते चैव सत्तम ।
मुच्यते पातकैः सर्वैः पुण्यञ्च महदश्नते ॥
vaivasvatam idaṃ brahman kathitānte mayāntaram |
asmin śrute naraḥ sadyaḥ paṭhite caiva sattama |
mucyate pātakaiḥ sarvaiḥ puṇyañ ca mahad aśnate ||
Kaya nga, O brāhmaṇa, isinalaysay ko sa iyo ang salaysay na ito tungkol kay Vaivasvata (ang Manvantara). Ang sinumang makarinig nito—o kapag ito’y binibigkas—O pinakamainam sa mga mabubuti, agad siyang napapalaya sa lahat ng kasalanan at nagkakamit ng dakilang kabutihang-loob (puṇya).
The text asserts śravaṇa/paṭhana (hearing/recitation) as purificatory acts: engagement with sacred history is itself a dharmic practice that reforms the listener and accrues merit.
This is a concluding phalaśruti attached to Manvantara/Vaṃśa material; while not one of the five, it is a common Purāṇic device to sacralize the section.
‘Immediate’ release from sins points to the transformative power of sacred narrative when received with faith (śraddhā), functioning as a ritualized internal purification.