Adhyaya 64 — Kalavati (Vibhavari) Offers Herself and the Padmini Vidya to Svarocisha
मार्कण्डेय उवाच ।
एवमस्त्विति तामाह स तु कन्यां कलावतीम् ।
विभावर्याः कलावत्याः स्निग्धदृष्ट्यानुमोदितः ॥
mārkaṇḍeya uvāca evam astv iti tām āha sa tu kanyāṃ kalāvatīm / vibhāvaryāḥ kalāvatyāḥ snigdhadṛṣṭyānumoditaḥ
Sinabi ni Mārkaṇḍeya: Sumagot siya sa kanya, “Mangyari nawa.” Pagkaraan, tinanggap niya ang dalagang si Kalāvatī, na pinahintulutan ni Vibhāvarī; at si Kalāvatī ay tumingin sa kanya nang may mapagmahal na sulyap.
The emphasis on ‘anumodita’ (approval) underscores social-ethical legitimacy: unions/major decisions are portrayed as requiring harmonious consent rather than coercion.
Manvantara/vaṃśānucarita-type narrative: interpersonal events illustrate the moral texture of an epoch rather than cosmogenesis.
Affectionate assent symbolizes the alignment of wills—when inner and outer approvals coincide, the bestowed vidyā ‘settles’ without friction.