Shloka 1
Adhyaya 0 — Opening Benediction and Invocation of Narayana, Sarasvati, and Vyasa
यद्योगिभिर्भवभयार्तिविनाशयोग्यम् आसाद्य वन्दितमतीव विवक्तचित्तैः ।
तद्वः पुनातु हरिपादसरोजयुग्मम् अविर्भवत्क्रमविलङ्घितभूर्भुवः स्वः ॥
yadyogibhir bhavabhayārtivināśayogyam āsādya vanditam atīva vivaktacittaiḥ |
tad vaḥ punātu haripādasarojayugmam avirbhavat-kramavilaṅghita-bhūr-bhuvaḥ-svaḥ ||
Nawa’y linisin kayo ng magkaparis na paa-lotus ni Hari (Viṣṇu)—yaong mga paa na naaabot at sinasamba ng mga yogin, na ang isip ay malalim na nakapaloob at may malinaw na pag-unawa, bilang makapupuksa sa dalamhating nagmumula sa takot sa pag-iral sa saṃsāra; at na, sa pagkapahayag, ay lumalampas sa mga daigdig ng Bhūḥ, Bhuvaḥ, at Svaḥ sa Kanyang hakbang.
FAQs
Liberation is portrayed as the cessation of saṃsāra-born fear and distress through steady attainment (āsādya) and reverent contemplation (vandita) of the supreme refuge. The emphasis on vivakta-citta suggests disciplined discrimination and interior withdrawal as prerequisites for transformative devotion.
This verse functions as maṅgalācaraṇa (an auspicious invocation) rather than one of the five pancalakṣaṇa topics (sarga, pratisarga, vaṃśa, manvantara, vaṃśānucarita). It is a conventional preface establishing spiritual authority and auspiciousness before entering purāṇic narration.
Hari’s ‘stride’ transcending Bhūḥ–Bhuvaḥ–Svaḥ evokes the Vāmana/Trivikrama symbolism: the Supreme is beyond all conditioned planes of experience. For yogic reading, ‘lotus-feet’ indicate the stable locus of meditation; transcending the three worlds signifies surpassing waking, dreaming, and deep sleep (or gross, subtle, causal levels) toward the unconditioned.