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Shloka 3

ययातिपतनम् — Yayāti’s Fall and the Offer of Dharma

Nārada’s Account

फिर हाथमें हार लिये बहिन माधवीको रथपर बिठाकर पूरु और यदु--ये दोनों भाई आश्रमपर गये ।।

nāgayakṣamanuṣyāṇāṃ gandharvamṛgapakṣiṇām | śailadrumavanaukānām āsīt tatra samāgamaḥ ||

Sinabi ni Nārada: Doon, sa pagtitipong iyon (svayaṃvara), nabuo ang isang mapalad na kapulungan—mga Nāga, Yakṣa, tao, Gandharva, mga hayop, mga ibon, at maging ang mga nilalang na nananahan sa kabundukan, sa mga punò, at sa mga gubat ay nagsidating. Ipinakikita ng tagpong ito na ang isang matuwid at bantog na ritwal ay nakaaakit ng mga nilalang mula sa iba’t ibang antas upang maging magkakasamang saksi sa iisang mapayapang pagdiriwang.

नागof serpents (Nāgas)
नाग:
Adhikarana
TypeNoun
Rootनाग
FormMasculine, Genitive, Plural
यक्षof Yakṣas
यक्ष:
Adhikarana
TypeNoun
Rootयक्ष
FormMasculine, Genitive, Plural
मनुष्याणाम्of humans
मनुष्याणाम्:
Adhikarana
TypeNoun
Rootमनुष्य
FormMasculine, Genitive, Plural
गन्धर्वof Gandharvas
गन्धर्व:
Adhikarana
TypeNoun
Rootगन्धर्व
FormMasculine, Genitive, Plural
मृगof deer/wild animals
मृग:
Adhikarana
TypeNoun
Rootमृग
FormMasculine, Genitive, Plural
पक्षिणाम्of birds
पक्षिणाम्:
Adhikarana
TypeNoun
Rootपक्षिन्
FormMasculine, Genitive, Plural
शैलof mountains
शैल:
Adhikarana
TypeNoun
Rootशैल
FormMasculine, Genitive, Plural
द्रुमof trees
द्रुम:
Adhikarana
TypeNoun
Rootद्रुम
FormMasculine, Genitive, Plural
वनof forests
वन:
Adhikarana
TypeNoun
Rootवन
FormNeuter, Genitive, Plural
ओकानाम्of dwellings/abodes
ओकानाम्:
Adhikarana
TypeNoun
Rootओकस्
FormNeuter, Genitive, Plural
आसीत्was
आसीत्:
TypeVerb
Rootअस्
FormImperfect (Laṅ), 3rd, Singular
तत्रthere
तत्र:
Adhikarana
TypeIndeclinable
Rootतत्र
समागमःgathering/assembly
समागमः:
Karta
TypeNoun
Rootसमागम
FormMasculine, Nominative, Singular

नारद उवाच

N
Nārada
N
Nāgas
Y
Yakṣas
H
Humans (Manuṣyas)
G
Gandharvas
A
Animals (Mṛgas)
B
Birds (Pakṣiṇas)
M
Mountains (Śailas)
T
Trees (Drumas)
F
Forest-dwellers (Vanaukasaḥ)
A
Assembly/Svayaṃvara (Samāgama)

Educational Q&A

A dharmic and publicly significant rite is portrayed as drawing a broad, harmonious witness—across human, semi-divine, and natural realms—suggesting that righteous order resonates beyond a single community.

Nārada describes the scene at that event: many kinds of beings—Nāgas, Yakṣas, humans, Gandharvas, animals, birds, and forest and mountain dwellers—assemble together, emphasizing the grandeur and auspiciousness of the occasion.