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Shloka 142

Adhyāya 284: Tapas as a Corrective to Household Attachment

Parāśara’s Instruction

सदा चारक्षप्रियो धूर्तो गणाध्यक्षो गणाधिप: । रक्तमाल्याम्बरधरो गिरिशो गिरिकप्रिय:

sadā cārākṣapriyo dhūrto gaṇādhyakṣo gaṇādhipaḥ | raktamālyāmbaradharo giriśo girikpriyaḥ ||

Wika ni Bhīṣma: “Ikaw ay laging mahilig sa sugal ng dice, tuso sa mga paraan, at bantog bilang tagapangasiwa at panginoon ng mga gaṇa (mga pangkat ng mga tagasunod). Nagsusuot Ka ng pulang kasuotan at pulang kuwintas ng mga bulaklak; Ikaw si Girīśa, Panginoon ng mga bundok, at Ikaw ay nalulugod sa mga bundok.”

सदाalways
सदा:
Adhikarana
TypeIndeclinable
Rootसदा
Formtrue
चाराक्षप्रियःfond of dice (lit. fond of the four-eyed/dice)
चाराक्षप्रियः:
Karta
TypeAdjective
Rootचाराक्षप्रिय
FormMasculine, Nominative, Singular
धूर्तःcunning, crafty
धूर्तः:
Karta
TypeAdjective
Rootधूर्त
FormMasculine, Nominative, Singular
गणाध्यक्षःleader/president of the gaṇas
गणाध्यक्षः:
Karta
TypeNoun
Rootगणाध्यक्ष
FormMasculine, Nominative, Singular
गणाधिपःlord of the gaṇas
गणाधिपः:
Karta
TypeNoun
Rootगणाधिप
FormMasculine, Nominative, Singular
रक्तमाल्या-अम्बरधरःwearing a red garland and garment
रक्तमाल्या-अम्बरधरः:
Karta
TypeAdjective
Rootरक्तमाल्याम्बरधर
FormMasculine, Nominative, Singular
गिरिशःLord of the mountain (Śiva)
गिरिशः:
Karta
TypeNoun
Rootगिरिश
FormMasculine, Nominative, Singular
गिरिकप्रियःfond of mountains
गिरिकप्रियः:
Karta
TypeAdjective
Rootगिरिकप्रिय
FormMasculine, Nominative, Singular

भीष्म उवाच

B
Bhishma
S
Shiva (Giriśa)
G
Gaṇas (Śiva’s attendants)
D
Dice (akṣa)
R
Red garland (raktamālya)
R
Red garments (rakta-ambara)
M
Mountains (giri)

Educational Q&A

The verse functions as a devotional identification of Śiva through characteristic epithets and iconographic markers—lordship over the gaṇas, mountain-dwelling, and distinctive attire—emphasizing recognition of the divine through names, attributes, and symbols.

Bhīṣma is describing and praising Śiva by listing well-known titles and traits (gaṇādhyakṣa, gaṇādhipa, giriśa, etc.), presenting a compact stuti-style portrait of the deity within the Śānti Parva discourse.