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Shloka 103

युद्धसंग्रहः

Kurukṣetra Campaign in Summary

तथा किलकिलाशब्दैर्भूधरो5भून्मनोहर: । कुछ लोग क्रीडा आदिमें आसक्त होकर दूसरे कार्योंकी ओर ध्यान नहीं देते थे

tathā kilakilāśabdair bhūdharo ’bhūn manoharaḥ |

Wika ni Vaiśaṃpāyana: Kaya nga, sa pag-alingawngaw ng mga sigaw na “kilakilā” at sa pangkalahatang ingay ng kasiyahan, ang bundok ay naging lubhang kaaya-aya. May mga nalulong sa laro at di na tumitingin sa ibang gawain; marami ang tila nalalasing sa tuwa; ang iba’y tumatalon, sumisigaw nang malakas, at nagpapakawala ng masisiglang hiyaw—kaya ang buong bundok, na umaalingawngaw sa mga tunog na iyon, ay waring kaakit-akit at pang-pista.

तथाthus, in that manner
तथा:
TypeIndeclinable
Rootतथा
किलindeed, as is said
किल:
TypeIndeclinable
Rootकिल
किलकिलाशब्दैःby the sounds of shouts/cries (kila-kilā)
किलकिलाशब्दैः:
Karana
TypeNoun
Rootकिलकिलाशब्द
FormMasculine, Instrumental, Plural
भूधरःthe mountain
भूधरः:
Karta
TypeNoun
Rootभूधर
FormMasculine, Nominative, Singular
अभूत्became, was
अभूत्:
TypeVerb
Rootभू
FormAorist (Luṅ), 3rd, Singular, Parasmaipada
मनोहरःcharming, delightful
मनोहरः:
Karta
TypeAdjective
Rootमनोहर
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
B
bhūdhara (mountain)

Educational Q&A

The verse primarily offers a vivid narrative image rather than a direct moral injunction: collective joy and play can become so absorbing that people neglect other duties. Implicitly, it points to the human tendency toward distraction in pleasure, a theme often balanced in the Mahābhārata by reminders of dharma and responsibility.

The scene describes a mountain area filled with festive noise—jubilant cries and loud commotion from people playing, jumping, shouting, and celebrating—making the mountain itself seem beautiful and enchanting due to the echoing sounds.