Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
स्वप्ने दृष्टं यत्पदार्थं ह्यलक्ष्यं दृष्टं नूनं भाति मन्ये न चापि मूर्तिर्नो वै दैवकीशान देवैर् लक्ष्या यत्नैरप्यलक्ष्यं कथं तु
svapne dṛṣṭaṃ yatpadārthaṃ hyalakṣyaṃ dṛṣṭaṃ nūnaṃ bhāti manye na cāpi mūrtirno vai daivakīśāna devair lakṣyā yatnairapyalakṣyaṃ kathaṃ tu
Ang “bagay” na nakikita sa panaginip ay tunay na hindi mahahawakan; kahit makita, wari’y kumikislap lamang sa anyo ng paglitaw—ganyan ang aking palagay—ngunit wala itong nahahawakang anyo. Gayon din, O Panginoon ng mga Deva, ang Banal ay hindi bagay na masisilayan ng mga diyos; kahit sa matinding pagsisikap, Siya’y nananatiling lampas sa lahat ng palatandaan—paano nga Siya lubusang makikilala?
Suta Goswami (narrating an internal address to the Lord of the Devas within the Adhyaya’s dialogue)
It frames the Linga as a sacred ‘mark’ (liṅga) that points to Shiva who is ultimately alakṣya—beyond sensory capture—so worship is directed to the Pati through symbol, mantra, and inner realization rather than treating Him as a limited object.
Shiva is presented as beyond perceptual definition: like a dream-object that seems vivid yet lacks graspable substance, Shiva-tattva transcends form and conceptual targeting; He is known not by mere effort of the senses but through higher knowledge and divine grace.
The verse implies Pashupata-oriented inwardness: withdrawing from appearances (dream-like cognition), stabilizing awareness, and approaching Shiva through dhyāna on the Linga and mantra-japa—seeking direct insight rather than external ‘object-perception’ alone.