वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)
गन्धर्वो ह्यदितिस्तार्क्ष्यो ह्य् अविज्ञेयः सुशारदः परश्वधायुधो देवो ह्य् अर्थकारी सुबान्धवः
gandharvo hyaditistārkṣyo hy avijñeyaḥ suśāradaḥ paraśvadhāyudho devo hy arthakārī subāndhavaḥ
Siya ang makalangit na Gandharva; Siya si Aditi—ang walang hanggan at sumasaklaw na saligan; Siya si Tārkṣya, gaya ni Garuḍa, mabilis at matagumpay. Siya ang Di-Maaarok, subalit ganap ang karunungan at malinaw ang paghatol. Taglay ang palakol bilang sandata, Siya ang nagniningning na Deva na tumutupad ng tunay na layon at siyang marangal na kamag-anak ng lahat ng nilalang.
Suta Goswami
As a Sahasranama-style praise, it supports Linga-puja by fixing the devotee’s mind on Shiva as Pati—both immanent (Aditi, Deva) and transcendent (Avijneya)—so the pashu (soul) loosens pasha (bondage) through mantra and bhakti.
Shiva-tattva is shown as simultaneously knowable through His functions (arthakari, benevolent protector) and ultimately beyond grasp (avijneya), indicating the Lord surpasses intellect while still guiding beings toward right artha and liberation.
Recitation of Shiva’s names (nama-japa) as an upaya: in Pashupata-oriented devotion, repeated contemplation of these epithets purifies cognition and turns the pashu toward direct dependence on Pati.