Agni Purana — Yoga & Brahma-vidya, Shloka 18
Chapter 371 — Yama-Niyama and Praṇava-Upāsanā (Oṅkāra) as Brahma-vidyā
गृज्जलाभ्यां स्मृतं वाह्यं भावशुद्धेरथान्तरं उभयेन शुचिर्यस्तु स शुचिर्नेतरः शुचिः
gṛjjalābhyāṃ smṛtaṃ vāhyaṃ bhāvaśuddherathāntaraṃ ubhayena śuciryastu sa śucirnetaraḥ śuciḥ
Ang panlabas na kalinisan ay sinasabing nakakamit sa pamamagitan ng lupa at tubig; ang panloob na kalinisan ay sa pamamagitan ng pagdalisay ng kalooban. Ang malinis sa dalawang paraan ang tunay na malinis; ang iba ay hindi tunay na malinis.
Lord Agni (traditional Agni Purana narrator) instructing sage Vasiṣṭha
Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Philosophy","practical_application":"Specifies concrete means for external purification (earth and water) and the criterion for true purity as the union of outer and inner cleanliness.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Bāhya-śauca (Earth & Water) and Ābhyantara-śauca (Disposition Purification)","lookup_keywords":["mṛd","jala","bāhya-śauca","bhāva-śuddhi","śuci"],"quick_summary":"External purity is achieved through cleansing with earth and water; internal purity comes from purifying one’s disposition—only both together constitute true purity."}
Concept: True purity is integrative: external cleanliness without inner rectitude is incomplete; inner purity must be embodied in conduct.
Application: Audit both domains: (1) hygiene and environment, (2) motives and habits; correct whichever is lacking to be ‘śuci’ in full sense.
Khanda Section: Dharma-shastra / Śauca (Purity and Purification)
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A practitioner washing with water and cleansing with earth/clay, while a parallel depiction shows inner purification—calm heart, controlled senses, and purified intent.","kerala_mural_prompt":"Kerala mural, symbolic split scene: left—hands being cleansed with water and earth near a riverbank; right—heart-lotus brightening as dark fumes (impure bhāva) dissipate, traditional palette and bold outlines.","tanjore_prompt":"Tanjore painting, ritual cleanliness scene with water pot and clay bowl, gold-leaf aura around a luminous heart-lotus signifying bhāva-śuddhi, ornate frame, devotional serenity.","mysore_prompt":"Mysore style, instructional diagram-like painting: sequence of external cleansing (mṛd then jala) and internal cleansing (meditation, restraint), fine lines, gentle colors, clear staging.","mughal_miniature_prompt":"Mughal miniature, realistic wash area with earthen pot and water channel, ascetic cleansing hands with clay, inset vignette of meditative posture indicating inner purity, detailed textiles and architecture."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: गृज्जलाभ्यां = गृज् + जलाभ्याम् (द्वन्द्व); भावशुद्धेरथान्तरं = भावशुद्धेः + अथ + अन्तरम्; शुचिर्यस्तु = शुचिः + यः + तु; शुचिर्नेतरः = शुचिः + न + इतरः.
Related Themes: Agni Purana: Śauca dvaya definition (371.17) and Yoga-dharma inner disciplines (371.19–371.20)
FAQs
It defines śauca (purity) in two technical layers: bāhya-śauca (external cleanliness) achieved through cleansing agents like earth/clay and water, and āntara-śauca (inner cleanliness) achieved through bhāva-śuddhi—purifying one’s intention and mental disposition.
It exemplifies the Agni Purana’s dharma-shastra style cataloging: it gives a compact, normative definition that bridges ritual practice (washing/cleansing with earth and water) with ethical-psychological discipline (inner intention), showing how the text integrates practical rites with moral philosophy.
It asserts that ritual cleanliness alone is insufficient for spiritual merit; only the practitioner who combines outward cleanliness with purified intention is considered truly pure, implying that karma and religious efficacy depend on inner bhāva as well as external observance.