Agni Purana — Mantra-shastra, Shloka 8
वागीश्वरीपूजा
The Worship of Vāgīśvarī
रक्तकोणं विधौ नित्ये नैमित्तिकाब्जकं शृणु असंसक्तन्तु संसक्तं द्विधाब्जं भुक्तिमुक्तिकृत्
raktakoṇaṃ vidhau nitye naimittikābjakaṃ śṛṇu asaṃsaktantu saṃsaktaṃ dvidhābjaṃ bhuktimuktikṛt
Sa pang-araw-araw na ritwal (nitya), ang itinakdang anyo ay ang pulang tatsulok (raktakoṇa). Ngayon pakinggan ang tungkol sa diyagramang lotus para sa mga ritwal na paminsan-minsan (naimittika). Ang lotus ay may dalawang uri—“hindi magkakaugnay” (asaṃsakta) at “magkakaugnay” (saṃsakta); ang dalawang-uring lotus na ito ay nagkakaloob ng kapakinabangang makamundo at ng paglaya (mokṣa).
Lord Agni (teaching the sage Vasiṣṭha in the Agni Purana’s instructional dialogue style)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Selecting the correct yantra/maṇḍala form for daily vs occasional rites, using red-triangle and lotus variants to aim for bhukti (worldly success) and mukti (liberation).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Raktakoṇa (red triangle) and Dvidhābja (twofold lotus) for nitya/naimittika rites","lookup_keywords":["raktakoṇa","nitya-vidhi","naimittika-abja","asaṃsakta-abja","saṃsakta-abja"],"quick_summary":"Daily worship employs the red-triangle figure; occasional rites use lotus-diagrams of two types—unconnected and connected—together described as granting both enjoyment and liberation when properly applied."}
Concept: Ritual forms (ākṛti) are goal-specific: some stabilize daily discipline, others support occasional aims; properly chosen forms can integrate bhukti and mukti.
Application: Match yantra type to rite category (nitya/naimittika) and intended fruit; avoid mixing forms without prescription.
Khanda Section: Puja-vidhi (Tantric/Ritual Diagrammatics—Yantra/Puṣpa/Padma classifications used in nitya and naimittika rites)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Two adjacent ritual diagrams: a red triangle labeled for nitya worship, and a lotus diagram shown in two variants—petals disconnected vs connected—annotated as yielding bhukti and mukti.","kerala_mural_prompt":"Kerala mural palette, bold red triangle on one side, twin lotus diagrams on the other with clear petal separations/joins, temple floor setting, minimal shading, sacred clarity.","tanjore_prompt":"Tanjore painting, central red triangle with gold border, flanking lotus diagrams with gold highlights, inscriptions indicating nitya/naimittika, rich ornamental frame.","mysore_prompt":"Mysore style, instructional chart: crisp geometry, fine outlines, soft washes; labels for asaṃsakta and saṃsakta lotus; emphasis on clarity and proportion.","mughal_miniature_prompt":"Mughal miniature, scholar-priest presenting a folio with triangle and lotus diagrams to a patron, detailed pigments, calligraphic labels, refined interior setting."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: असंसक्तन्तु → असंसक्तम् + तु (म्+त् sandhi).
Related Themes: Agni Purana 319.7-319.10 (padma/maṇḍala continuum); Agni Purana pūjā-vidhi and mantra/yantra discussions elsewhere
FAQs
It distinguishes ritual diagram-forms used in worship: the red triangle (raktakoṇa) for nitya rites, and a twofold lotus-diagram (abja/padma)—unconnected vs connected—for naimittika rites.
It catalogs precise, technical worship-implements (geometric and lotus-diagrams) and links them to categories of Vedic/Puranic action (nitya vs naimittika), showing the text’s systematized ritual technology alongside spiritual goals.
Correctly employing the prescribed diagram (especially the twofold lotus) is said to yield both bhukti (worldly attainments) and mukti (liberation), integrating ritual performance with soteriological intent.