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Varaha Purana 99.5 — Adhyaya 99, Shloka 5

The Greatness and Rite of the Sesame-Cow (Tiladhenu) Gift

महिषाख्यः परः पश्चात्स वै चैत्रासुरो हतः ॥ नन्दया निहतो विन्ध्ये महाबलपराक्रमः ॥

mahiṣākhyaḥ paraḥ paścāt sa vai caitrāsuro hataḥ || nandayā nihato vindhye mahābalaparākramaḥ ||

ต่อมาภายหลัง อีกผู้หนึ่งนามว่า ‘มหิษะ’ ก็ถูกสังหาร—แท้จริงคือไจตราสุระผู้นั้นถูกฆ่า เขาผู้มีกำลังและความกล้าหาญยิ่ง ถูกนางนันทาสังหาร ณ แคว้นวินธยะ

mahiṣa-ākhyaḥ(one) named Mahiṣa
mahiṣa-ākhyaḥ:
Karta (कर्ता)
TypeNoun
Rootmahiṣa (प्रातिपदिक) + ākhya (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); तत्पुरुषः ‘named Mahiṣa’
paraḥanother / subsequent
paraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootpara (प्रातिपदिक)
FormMasculine, Nominative, Singular; used adjectivally
paścātafterwards
paścāt:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootpaścāt (अव्यय)
FormAvyaya, adverb (कालवाचक)
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative, Singular
vaiindeed
vai:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootvai (अव्यय)
FormParticle (निपात), emphasis
caitra-asuraḥthe demon Caitrāsura
caitra-asuraḥ:
Karta (कर्ता)
TypeNoun
Rootcaitra (प्रातिपदिक) + asura (प्रातिपदिक)
FormMasculine, Nominative, Singular; तत्पुरुषः ‘the Asura named Caitra’
hataḥslain
hataḥ:
Kriyā (क्रिया-विशेषण/विधेय)
TypeAdjective
Roothan (धातु)
FormPast passive participle (क्त), Masculine, Nominative, Singular
nandayāby Nandā
nandayā:
Karaṇa (करण)
TypeNoun
Rootnandā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular
nihataḥkilled
nihataḥ:
Kriyā (क्रिया-विशेषण/विधेय)
TypeAdjective
Roothan (धातु) + ni (उपसर्ग)
FormPast passive participle (क्त) of ni-han, Masculine, Nominative, Singular
vindhyein/on the Vindhya (mountain)
vindhye:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootvindhya (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
mahā-bala-parākramaḥof great strength and valor
mahā-bala-parākramaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmahā (प्रातिपदिक) + bala (प्रातिपदिक) + parākrama (प्रातिपदिक)
FormMasculine, Nominative, Singular; descriptive compound qualifying the subject

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"Varāha continues instructive narration to Bhū-devī, anchoring demon-slaying episodes to regional geography (Vindhya)."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious","key_question":"Which sacred regions remember the defeat of destructive forces, and how are these events layered in time and place?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"allegorical ethics (implicit)","core_concept":"Destructive, arrogant power (asura) is ultimately checked by divine śakti; geography becomes a living archive of moral order.","practical_application":"Remember tīrthas and regions as ethical reminders; cultivate courage and restraint so ‘mahābala’ serves dharma rather than ego."}

Subject Matter: ["Regional Sacred Geography","Mythic History","Landscape Memory (Vindhya)"]

Primary Rasa: vira

Secondary Rasa: adbhuta

Type: mountain range / sacred landscape

Related Themes: Varāha Purāṇa: Vindhya/tīrtha mentions in regional catalogues; Varāha Purāṇa: śakti-linked asura-vadha exempla

Visual Art Cues: {"scene_description":"A fierce yet auspicious tableau: in the Vindhya hills, Nandā (goddess power) stands victorious over the slain Caitrāsura/Mahiṣa; Varāha narrates to Bhū-devī in the foreground or as a framing presence.","item_prompts":["Vindhya cliffs and dense forest","Nandā as warrior-goddess with weapons","fallen buffalo/demon imagery (if depicted)","aura of victory (flags, light)","Varāha and Bhū-devī as listening frame"],"kerala_mural_prompt":"Kerala mural: dynamic Nandā with bold stance, saturated reds/greens; Vindhya foliage; subdued but clear fallen asura; framing Varāha-Bhū-devī in calm posture.","tanjore_prompt":"Tanjore: Nandā central with gold halo and embossed ornaments; stylized Vindhya backdrop; demon subdued at her feet; rich jewel tones.","mysore_prompt":"Mysore: elegant goddess form, controlled action; detailed textiles; Vindhya rendered softly; narrative balance between ferocity and grace.","pahari_prompt":"Pahari: dramatic hillside composition; goddess in bright attire; crisp trees and rocks; small narrative vignettes suggesting regional legend."}

Audio Atmosphere: {"recitation_mood":"martial-legendary with devotional undertone","suggested_raga":"Darbari Kanada","pace":"medium-fast","voice_tone":"firm, energetic, triumphant"}

P
Purāṇic Studies
A
Ancient Geography
C
Classical Literature
Ś
Śākta/Vaiṣṇava Intersections

FAQs

It demonstrates how Purāṇic texts localize mythic events in recognizable terrains (Vindhya), enabling regional pilgrimage imaginaries and the layering of cultural heritage onto geography.

The Vindhya mountains/region are identified; historically, this refers to the central Indian highland ranges forming a major cultural-geographic boundary in Sanskrit literature.

The narrative reinforces the motif that excessive power (asuric force) is checked by a countervailing righteous agency, restoring social and cosmic stability.

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