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Varaha Purana 41.9 — Adhyaya 41, Shloka 9

Rite of the Varāha Dvādaśī Vow and an Exemplary Narrative on Expiation for Brahmin-Slaying

सर्वबीजभृते पात्रे रत्नगर्भं घटोपरि । स्थापयेत् परमं देवं जातरूपमयं हरिम् ॥ ४१.९ ॥

sarvabījabhṛte pātre ratnagarbhaṃ ghaṭopari | sthāpayet paramaṃ devaṃ jātarūpamayaṃ harim || 41.9 ||

บนภาชนะที่บรรจุเมล็ดพันธุ์ทั้งปวง และบนยอดหม้อให้วางรัตนคัรภะ แล้วประดิษฐานพระหริผู้เป็นเทพสูงสุด ผู้ทำด้วยทองคำบริสุทธิ์

सर्वबीजभृतेin the vessel bearing all seeds
सर्वबीजभृते:
विशेषण (Viśeṣaṇa of पात्रे)
TypeAdjective
Rootसर्वबीज + भृत् (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी (7th), एकवचन; षष्ठी-तत्पुरुष: सर्वबीजानि भृणोति इति (bearing all seeds)
पात्रेin the vessel
पात्रे:
अधिकरण (Adhikaraṇa)
TypeNoun
Rootपात्र (प्रातिपदिक)
Formनपुंसकलिङ्ग; सप्तमी (7th), एकवचन
रत्नगर्भम्jewel-filled
रत्नगर्भम्:
कर्म (Karma)
TypeAdjective
Rootरत्न + गर्भ (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2nd), एकवचन; षष्ठी-तत्पुरुष: रत्नानां गर्भः (having jewels within / jewel-filled)
घट-उपरिupon the pot
घट-उपरि:
अधिकरण (Adhikaraṇa)
TypeIndeclinable
Rootघट (प्रातिपदिक) + उपरि (अव्यय)
Formउपरि इति देशवाचक अव्यय; ‘on/above’; घट (षष्ठी/सप्तमी-संबन्ध) + उपरि = ‘upon the pot’ (written as compound-like)
स्थापयेत्should place/establish
स्थापयेत्:
क्रिया (Kriyā)
TypeVerb
Root√स्था + णिच् (स्थापय) (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; परस्मैपद
परमम्supreme
परमम्:
विशेषण (Viśeṣaṇa of देवं)
TypeAdjective
Rootपरम (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), एकवचन; विशेषण
देवम्god, deity
देवम्:
कर्म (Karma)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), एकवचन
जातरूपमयम्made of gold
जातरूपमयम्:
विशेषण (Viśeṣaṇa of हरिम्)
TypeAdjective
Rootजातरूप + मय (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), एकवचन; तद्धितान्त ‘मय’ (made of); षष्ठी-तत्पुरुष: जातरूपस्य मयः (made of gold)
हरिम्Hari (Viṣṇu)
हरिम्:
कर्म (Karma)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2nd), एकवचन; विष्णोर्नाम

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"None","boar_form_detail":"None (Hari in gold is specified; Varāha form not described here).","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"Install the supreme Hari made of gold atop the pot placed on a vessel holding all seeds—proper sequencing and purity of installation are mandated.","karmic_consequence":"Correct installation yields auspiciousness, stability, and merit; improper placement/omission is a ritual fault reducing efficacy and fruit."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The seed-vessel and pot become a microcosm: all potentialities (seeds) support the manifest world (pot), crowned by the golden Lord as the transcendent regulator—Varāha/Hari as the stabilizing summit.","yajna_varaha_imagery":"Sarva-bīja-pātra = total creation in potential; ghaṭa = womb/container of manifestation; golden Hari atop = sovereign of the cosmos presiding over generation and order.","vedantic_connection":"Īśvara as adhiṣṭhāna (substratum) and niyantṛ (governor): the ritual stack models the hierarchy from prakṛti’s potentials to the Lord’s supremacy."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ritual metaphysics","core_concept":"The Lord is placed ‘above’ the totality of seeds: divinity transcends yet supports all generative forces.","practical_application":"In worship and life, place the highest principle (Hari/dharma) at the ‘top’ of one’s priorities, governing material potentials."}

Subject Matter: ["Ritual Practice","Material Culture","Iconography"]

Primary Rasa: śānta

Secondary Rasa: śraddhā-bhakti

Type: altar/shrine installation space

Related Themes: Varāha Purāṇa: sequence with copper vessel, white cloths, floral maṇḍala, jāgara, and prādurbhāva recitation

Visual Art Cues: {"scene_description":"A seed-filled base vessel supports a pot; atop it a small radiant golden Hari icon is installed with careful hands and ritual focus.","item_prompts":["large vessel with mixed seeds visible","pot (ghaṭa) placed above","small golden Hari/Varāha icon on top","ritual cloth, water, incense","hands in installation gesture"],"kerala_mural_prompt":"Kerala mural: layered altar arrangement, patterned vessels, bright gold icon, floral borders, priest in profile with stylized features.","tanjore_prompt":"Tanjore: gold-leaf icon with embossed arch, richly decorated vessels, symmetrical composition, deep maroon background.","mysore_prompt":"Mysore: fine detailing of seeds and metalwork, soft glow on gold, restrained ornamentation, serene faces.","pahari_prompt":"Pahari: intimate shrine corner, crisp outlines, delicate textiles, emphasis on the stacked vessels and tiny golden deity."}

Audio Atmosphere: {"recitation_mood":"precise and contemplative","suggested_raga":"Kalyāṇi (Yaman)","pace":"medium-slow","voice_tone":"steady, instructional, gently reverent"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
R
Ritual Studies

FAQs

It reflects a Purāṇic template for domestic/temple ritual procedure, linking material objects (vessel, pot, gold icon) with formal installation (sthāpana) practices documented across early medieval Sanskrit ritual culture.

No specific geographic site is named in this verse; it is framed as a general ritual instruction rather than a place-based māhātmya passage.

The verse emphasizes careful, orderly ritual conduct and stewardship of symbolic materials (seeds, vessel, precious contents) as part of a disciplined cultural practice.

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