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Varaha Purana 214.75: Adhyaya 214, Shloka 75

The Glory of Gokarṇa: Description of Nandikeśvara’s Boon and the Assembly of Deities on Mount Muñjavat

आज्ञापयध्यमाज्ञप्तस्तस्माद्विबुधसत्तमाः ॥ तस्य तद्वचनं श्रुत्वा शक्रः प्रोवाच तं तदा ॥

Sanskrit recitationVaraha Purana 214.75

ājñāpayadhyam ājñaptaḥ tasmād vibudhasattamāḥ || tasya tadvacanaṃ śrutvā śakraḥ provāca taṃ tadā ||

ดังนั้นจงมีบัญชาเถิด โอ้ผู้ประเสริฐในหมู่เทพผู้รู้ เพราะข้าพเจ้าเป็นผู้รับคำสั่ง เมื่อได้ฟังถ้อยคำของเขาแล้ว ศักระ (อินทรา) จึงกล่าวกับเขาในขณะนั้น

ājñāpayadhyamcommand (you all)
ājñāpayadhyam:
Kriyā (क्रिया)
TypeVerb
Rootā-√jñā (ज्ञा धातु) + ṇic (णिच्)
Formलोट् (imperative), मध्यमपुरुष, बहुवचन; परस्मैपद; causative (णिच्)
ājñaptaḥhaving been commanded/ordered
ājñaptaḥ:
Karta (कर्ता)
TypeVerb
Rootā-√jñā (ज्ञा धातु) + kta (क्त)
Formकृदन्त (past passive participle/क्त), पुंलिङ्ग, प्रथमा, एकवचन
tasmāttherefore/from that
tasmāt:
Hetu (हेतु)
TypeIndeclinable
Roottad (सर्वनाम-प्रातिपदिक)
Formपञ्चमी (5th/ablative), एकवचन; सर्वनाम (used adverbially: 'therefore/from that')
vibudhasattamāḥO best of the wise/gods
vibudhasattamāḥ:
Sambodhana (सम्बोधन)
TypeNoun
Rootvibudha-sattama (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन/प्रथमा, बहुवचन; षष्ठी-तत्पुरुषः (vibudhānām sattamāḥ)
tasyaof him
tasya:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th/genitive), एकवचन; सर्वनाम
tatthat
tat:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; सर्वनाम
vacanamspeech/words
vacanam:
Karma (कर्म)
TypeNoun
Rootvacana (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
śrutvāhaving heard
śrutvā:
Pūrvakāla-kriyā (पूर्वकाल-क्रिया)
TypeVerb
Rootśru (श्रु धातु) + ktvā (क्त्वा)
Formअव्यय-कृदन्त (gerund/क्त्वान्त)
śakraḥŚakra (Indra)
śakraḥ:
Karta (कर्ता)
TypeNoun
Rootśakra (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
provācasaid forth/spoke
provāca:
Kriyā (क्रिया)
TypeVerb
Rootpra-√vac (वच् धातु)
Formलिट् (perfect), प्रथमपुरुष, एकवचन; परस्मैपद
tamto him
tam:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; सर्वनाम
tadāthen
tadā:
Kāla (काल)
TypeIndeclinable
Roottadā (अव्यय)
Formअव्यय (adverb of time/काल)

Narrator (frame voice) leading into Śakra’s speech

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"communication ethics / governance","core_concept":"Proper procedure: readiness to be commanded precedes effective leadership response","practical_application":"In councils, clarify willingness and authority, then let the responsible leader articulate the request"}

Subject Matter: ["Dialogue Structure","Divine Administration","Inquiry"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: divine court/सभा

Related Themes: 214.84.0 (Indra’s question begins)

Visual Art Cues: {"scene_description":"A brief tableau: Nandī’s words conclude; Indra turns forward to speak, signaling a change in the assembly’s focus.","item_prompts":["Indra poised to speak (raised hand)","Nandī attentive","other devas turning their gaze","subtle compositional shift toward Indra"],"kerala_mural_prompt":"Kerala mural: group composition with gaze-lines shifting to Indra, strong outlines, rhythmic spacing of figures.","tanjore_prompt":"Tanjore: Indra emphasized with larger halo and gold embossing, attendants and devas in layered symmetry.","mysore_prompt":"Mysore: refined gesture of Indra beginning speech, soft interior lighting, detailed textiles.","pahari_prompt":"Pahari: narrative moment of ‘turning’, delicate expressions, minimal architecture with stylized clouds."}

Audio Atmosphere: {"recitation_mood":"narrative-transition","suggested_raga":"Khamaj (light framing)","pace":"medium","voice_tone":"neutral, storyteller-like"}

I
Indra (Śakra) Episodes
P
Purāṇic Framing
S
Sanskrit Speech Formulae

FAQs

It preserves standard narrative mechanics (hearing → speaking) used for oral transmission and manuscript punctuation, helpful for critical editing and digital segmentation.

No location is specified in this verse.

It emphasizes orderly communication and delegated decision-making within a council-like setting.

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