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Varaha Purana 214.64: Adhyaya 214, Shloka 64

The Glory of Gokarṇa: Description of Nandikeśvara’s Boon and the Assembly of Deities on Mount Muñjavat

सम्भ्रान्तः सहसा तेभ्यो नमस्कर्तुं प्रचक्रमे॥ नमस्कृत्य च तान्सर्वान् स्वागतानभिभाष्य च॥

Sanskrit recitationVaraha Purana 214.64

sambhrāntaḥ sahasā tebhyo namaskartuṃ pracakrame || namaskṛtya ca tān sarvān svāgatān abhibhāṣya ca ||

ทันใดนั้นด้วยความเคารพยำเกรง เขาเริ่มนอบน้อมคำนับพวกเขา ครั้นถวายบังคมแก่ทุกหมู่แล้ว ก็กล่าวต้อนรับด้วยวาจาอันเป็นมงคล

sambhrāntaḥagitated; flurried
sambhrāntaḥ:
Karta (कर्ता)
TypeAdjective
Rootsam-√bhram (भ्रम्) + sambhrānta (कृदन्त-प्रातिपदिक)
FormPast passive participle (क्त), Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); used predicatively of the subject
sahasāsuddenly; at once
sahasā:
Prakāra (प्रकार)
TypeIndeclinable
Rootsahasā (अव्यय)
FormAvyaya, adverb (क्रियाविशेषण) of manner/time
tebhyaḥto them
tebhyaḥ:
Sampradāna (सम्प्रदान)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun, Masculine (पुंलिङ्ग), Dative (4th/चतुर्थी), Plural (बहुवचन)
namaskartumto bow/salute
namaskartum:
Prayojana (प्रयोजन)
TypeVerb
Rootnamas-√kṛ (कृ)
FormInfinitive (तुमुन्) from denominal/compound verb ‘namas-kṛ’: ‘to salute’
pracakramehe began; set about
pracakrame:
Kriyā (क्रिया)
TypeVerb
Rootpra-√kram (क्रम्)
FormPerfect (लिट्), 3rd person (प्रथमपुरुष), Singular (एकवचन), Ātmanepada (आत्मनेपद)
namaskṛtyahaving saluted
namaskṛtya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootnamas-√kṛ (कृ)
FormAbsolutive/Gerund (क्त्वा/ल्यप्), ‘having saluted’
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya, conjunction
tānthem
tān:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun, Masculine, Accusative (2nd), Plural
sarvānall
sarvān:
Karma (कर्म)
TypeAdjective
Rootsarva (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन); qualifying tān
svāgatānwelcome
svāgatān:
Karma (कर्म)
TypeAdjective
Rootsu + āgata (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Plural (बहुवचन); used as predicate/qualifier: ‘well-arrived/welcome’
abhibhāṣyahaving addressed
abhibhāṣya:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootabhi-√bhāṣ (भाष्)
FormAbsolutive/Gerund (ल्यप्), ‘having addressed/spoken to’
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya, conjunction

Narrator (default framework: Varāha → Pṛthivī, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Those who are honored appropriately should reciprocate with reverence and worship, maintaining mutual satkāra.","karmic_consequence":"Reciprocal honor sustains dharmic reciprocity and merit; ingratitude or arrogance diminishes puṇya and invites social/spiritual decline."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma (reciprocity)","core_concept":"Satkāra is circular: honoring others refines the community; receiving honor obliges humility and reverent response.","practical_application":"When praised or hosted, respond with gratitude, respectful speech, and appropriate return-gifts/service rather than entitlement."}

Subject Matter: ["Ethics","Ritual Culture","Social Conduct (Satkāra)"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: sabha/divine congregation

Related Themes: Varāha Purāṇa 214.72 (protocol of reception)

Visual Art Cues: {"scene_description":"After being honored, siddhas, cāraṇas, personified vidyās, and apsarases collectively bow and offer worship in return, forming concentric rows around the honored figure.","item_prompts":["rows of siddhas with matted hair/ascetic marks","cāraṇas as celestial bards","apsarases with dance-postures","offerings/flowers","collective namaskāra"],"kerala_mural_prompt":"Kerala mural: group composition with rhythmic repetition; apsarases in dance stance; siddhas with distinct ascetic iconography; flat luminous background.","tanjore_prompt":"Tanjore: gold-embossed halos and ornaments; layered assembly with central honored figure; floral offerings highlighted in gold.","mysore_prompt":"Mysore: balanced court scene; fine jewelry and textiles; subtle expressions of reverence; detailed instruments for bards.","pahari_prompt":"Pahari: lyrical group bowing; soft pastel palette; emphasis on graceful movement and devotional mood."}

Audio Atmosphere: {"recitation_mood":"solemn yet celebratory","suggested_raga":"Madhyamavati","pace":"medium","voice_tone":"steady, resonant, communal"}

C
Classical Literature
D
Dharma and Etiquette
P
Purāṇic Narrative
H
Hospitality Traditions

FAQs

It documents a formalized cultural ideal of reception—salutation followed by verbal welcome—mirroring broader Sanskritic norms of satkāra found in epics and dharma-oriented texts.

No location is specified; the verse concerns interpersonal/ritual protocol within a mythic assembly.

The verse foregrounds respectful conduct toward guests or assembled persons: offering homage (namaskāra) and welcoming speech (svāgata).

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