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Varaha Purana 185.20: Adhyaya 185, Shloka 20

Installation of a Bronze

Kāṁsya) Icon (Arcā

तान्यानयित्वा वस्त्राणि ममाग्रे स्थापयेन्नरः॥ उभौ तौ चरणौ नत्वा इमं मन्त्रमुदाहरेत्॥

Sanskrit recitationVaraha Purana 185.20

tānyānayitvā vastrāṇi mamāgre sthāpayennaraḥ || ubhau tau caraṇau natvā imaṁ mantramudāharet ||

“เมื่อนำผ้านุ่งห่มเหล่านั้นมาแล้ว บุคคลพึงวางไว้เบื้องหน้าเรา; แล้วนอบน้อมต่อพระบาททั้งสองนั้น และพึงกล่าวมนต์นี้”

tānithose (garments)
tāni:
Karma (कर्म)
TypeNoun
Roottad (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Accusative (द्वितीया/2), Plural (बहुवचन)
ānayitvāhaving brought
ānayitvā:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Root√nī (नी) with ā- (उपसर्ग)
FormAbsolutive/Gerund (क्त्वा/ल्यप्), 'having brought'
vastrāṇigarments
vastrāṇi:
Karma (कर्म)
TypeNoun
Rootvastra (प्रातिपदिक)
FormNeuter, Accusative (द्वितीया/2), Plural
mamamy
mama:
Sambandha (सम्बन्ध)
TypeNoun
Rootasmad (प्रातिपदिक)
FormGenitive (षष्ठी/6), Singular
agrein front
agre:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootagra (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Locative (सप्तमी/7), Singular (एकवचन); used adverbially
sthāpayetshould place
sthāpayet:
Kriyā (क्रिया)
TypeVerb
Root√sthā (स्था) causative (णिच्) → sthāpaya
FormOptative (विधिलिङ्), 3rd person, Singular; Parasmaipada; Causative (णिजन्त)
naraḥa man (worshipper)
naraḥ:
Karta (कर्ता)
TypeNoun
Rootnara (प्रातिपदिक)
FormMasculine, Nominative (प्रथमा/1), Singular
ubhauboth
ubhau:
Karma (कर्म)
TypeAdjective
Rootubha (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Dual (द्विवचन); adjective to caraṇau
tauthose (two)
tau:
Karma (कर्म)
TypeNoun
Roottad (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Dual; demonstrative pronoun
caraṇaufeet
caraṇau:
Karma (कर्म)
TypeNoun
Rootcaraṇa (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Dual
natvāhaving bowed
natvā:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Root√nam (नम्)
FormAbsolutive/Gerund (क्त्वा), 'having bowed'
imamthis
imam:
Karma (कर्म)
TypeNoun
Rootidam (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Singular; demonstrative pronoun
mantrammantra
mantram:
Karma (कर्म)
TypeNoun
Rootmantra (प्रातिपदिक)
FormMasculine, Accusative (द्वितीया/2), Singular
udāharetshould recite/utter
udāharet:
Kriyā (क्रिया)
TypeVerb
Root√hṛ (हृ) with ud-ā- (उद्+आ उपसर्ग)
FormOptative (विधिलिङ्), 3rd person, Singular; Parasmaipada

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"Bring the garments, place them before the deity, bow to the two feet, and then recite the prescribed mantra—dāna must be accompanied by praṇāma and mantra.","karmic_consequence":"Mantra and praṇāma ‘complete’ the offering, yielding full ritual fruit; offering without proper protocol is considered deficient (hīna) in phala."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ritual hermeneutics (vidhi)","core_concept":"External offering is sanctified by inner humility—praṇāma to the divine feet—and by speech-act (mantra) that frames intention (saṅkalpa).","practical_application":"When giving (to deity or sacred cause), accompany the act with humility and clear intention; follow established procedure to avoid carelessness."}

Subject Matter: ["Ritual Studies","Ethics"]

Primary Rasa: śānta

Secondary Rasa: dāsya

Related Themes: Varāha Purāṇa 185.23 (the mantra to be recited)

Visual Art Cues: {"scene_description":"A worshipper approaches the altar with garments, sets them before the deity, then bows low to the deity’s feet, poised to chant.","item_prompts":["folded garments placed before icon","devotee in añjali or full praṇāma","visible divine feet (pāda) emphasized","mantra scroll or rosary (optional)","altar platform and offering vessels"],"kerala_mural_prompt":"Kerala mural: emphasize the deity’s feet and the devotee’s prostration, stylized shrine objects, symmetrical composition, restrained devotional emotion.","tanjore_prompt":"Tanjore: gold-leaf haloed deity, prominent pāda area, devotee kneeling with folded silk, ornate pillars and arch.","mysore_prompt":"Mysore: soft shading, detailed textiles, devotee’s bowed posture rendered gracefully, quiet sanctum ambiance.","pahari_prompt":"Pahari: small sanctum scene, lyrical lines, devotee bowing, garments patterned, gentle color wash and intimate scale."}

Audio Atmosphere: {"recitation_mood":"reverent procedural","suggested_raga":"Bhairav (for solemn praṇāma)","pace":"medium","voice_tone":"clear, slightly emphatic on action-verbs (sthapayet, natvā, udāharet)"}

C
Classical Literature
V
Vaishnavism
D
Devotional Poetics
R
Ritual Protocol

FAQs

It preserves a formal ritual choreography—placement, prostration, and recitation—helpful for reconstructing performative aspects of Purāṇic worship.

No location is specified; the verse is procedural.

Emphasis on respectful conduct and orderly procedure in cultural-ritual contexts.

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