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Varaha Purana 177.9: Adhyaya 177, Shloka 9

The Curse of Sāmba and the Prescribed Observance of Sun-Worship

आसनेषूपविष्टानां तासां क्षोभं च तत्त्वतः ॥ लक्षयिष्याम्यहं सर्वं सत्यं चासत्यमेव च

Sanskrit recitationVaraha Purana 177.9

āsaneṣūpaviṣṭānāṃ tāsāṃ kṣobhaṃ ca tattvataḥ || lakṣayiṣyāmyahaṃ sarvaṃ satyaṃ cāsatyameva ca

เมื่อพวกนางนั่งบนอาสนะของตนแล้ว เราจักพิจารณาโดยแท้จริงถึงความปั่นป่วนของพวกนาง; เราจักสังเกตทุกสิ่ง ทั้งที่จริงและที่ไม่จริง

आसनेषुon the seats
आसनेषु:
अधिकरण (अधिकरण/Location)
TypeNoun
Rootआसन (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (7th/Locative), बहुवचन; अधिकरणे (on/in seats)
उपविष्टानाम्of those seated
उपविष्टानाम्:
सम्बन्ध (षष्ठी/Genitive relation)
TypeVerb
Rootउप + विश् (धातु)
Formकृदन्त; भूतकृदन्त (Past Active Participle/क्त), षष्ठी-विभक्ति (6th/Genitive), बहुवचन; सम्बन्धे (of those who are seated)
तासाम्of them (fem.)
तासाम्:
सम्बन्ध (षष्ठी/Genitive relation)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), बहुवचन
क्षोभम्agitation/disturbance
क्षोभम्:
कर्म (कर्म/Object)
TypeNoun
Rootक्षोभ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
and
:
सम्बन्ध (समुच्चय/Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
तत्त्वतःin reality; truly
तत्त्वतः:
सम्बन्ध (क्रियाविशेषण/Adverbial)
TypeIndeclinable
Rootतत्त्व (प्रातिपदिक)
Formतसिल्-प्रत्ययान्त अव्यय (adverbial ablative); यथार्थतः (in truth/really)
लक्षयिष्यामिI will observe/notice
लक्षयिष्यामि:
क्रिया (क्रिया/Verbal predicate)
TypeVerb
Rootलक्ष् (धातु)
Formलृट्-लकार (Simple Future), उत्तम-पुरुष (1st person), एकवचन; परस्मैपद
अहम्I
अहम्:
कर्ता (कर्ता/Subject)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formउत्तम-पुरुष सर्वनाम, प्रथमा-विभक्ति (1st/Nominative), एकवचन
सर्वम्everything
सर्वम्:
कर्म (कर्म/Object)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
सत्यम्truth
सत्यम्:
कर्म (कर्म/Object)
TypeNoun
Rootसत्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
and
:
सम्बन्ध (समुच्चय/Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
असत्यम्falsehood
असत्यम्:
कर्म (कर्म/Object)
TypeNoun
Rootअसत्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
एवindeed/only
एव:
सम्बन्ध (निपात/Emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण (emphatic particle)
and
:
सम्बन्ध (समुच्चय/Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)

Varāha (default attribution; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"A dharmic judge should discern inner agitation (kṣobha) and distinguish satya from asatya in an assembly setting.","karmic_consequence":"Discernment supports just outcomes and prevents adharma from prevailing; failure to discriminate enables falsehood and its harmful results."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"epistemic ethics (satya/anṛta viveka)","core_concept":"Truth is not only spoken content but also revealed through mental perturbation (kṣobha); discernment is a moral faculty.","practical_application":"In disputes, attend to both statements and affect—agitation, inconsistency, and composure—to evaluate truthfulness responsibly."}

Subject Matter: ["Ethics","Narrative literature","Psychology of emotion (kṣobha)"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: court/assembly

Related Themes: Varāha Purāṇa 177.15 (kṣobha of devīs)

Visual Art Cues: {"scene_description":"The presiding figure surveys seated women in the assembly, reading their agitation and resolving to distinguish truth from falsehood.","item_prompts":["rows of seated devīs on arranged seats","a central observer with focused gaze","subtle signs of kṣobha—tilted heads, restless hands, exchanged glances","courtly lamps and pillars"],"kerala_mural_prompt":"Kerala mural: expressive eyes and hand-gestures; the presider’s concentrated gaze contrasts with the devīs’ subtle agitation; earthy palette with temple-hall symmetry.","tanjore_prompt":"Tanjore: gold background, symmetrical seating, jeweled devīs; the presider’s face rendered with calm authority, emphasizing satya/asatya discernment.","mysore_prompt":"Mysore: soft shading, refined expressions; highlight micro-emotions (kṣobha) through delicate posture and hand placement.","pahari_prompt":"Pahari: narrative intimacy—close grouping of devīs, the presider slightly elevated; patterned textiles indicating formal seating."}

Audio Atmosphere: {"recitation_mood":"contemplative yet investigative","suggested_raga":"Todi","pace":"medium","voice_tone":"measured, attentive, discerning"}

P
Purāṇic Narrative
S
Sanskrit Poetics (court scene motifs)
M
Moral Discernment
T
Textual Ethics

FAQs

It illustrates a common Purāṇic narrative device: the authoritative observer claims the capacity to distinguish truth from falsehood, reinforcing didactic authority within the story.

No location is named; the setting is an unspecified assembly/court.

The emphasis is on discernment and truthful evaluation—distinguishing satya from asatya.

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