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Varaha Purana 150.46 — Adhyaya 150, Shloka 46

The Sacred Greatness of Sānandūra

अगस्तिभक्नं गत्वा मोदते नात्र संशयः ॥ अथ प्राणान्प्रमुञ्चेत मम चिन्तापरायणः

agastibhaknaṃ gatvā modate nātra saṃśayaḥ || atha prāṇān pramuñceta mama cintāparāyaṇaḥ

เมื่อไปถึงอคัสติภักนะแล้ว ย่อมบังเกิดความปีติ—ไม่ต้องสงสัย และหากผู้ใดตั้งมั่นในภาวนาระลึกถึงเรา แล้วจึงปล่อยลมหายใจชีวิตลง

अगस्तिभक्नम्(to) the place/thing broken by Agastya
अगस्तिभक्नम्:
Karma (कर्म)
TypeNoun
Rootअगस्ति + भक्न (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; तत्पुरुष-समास (अगस्तिना भक्नम्/भङ्गीकृतम्—'broken/cleft by Agastya' as a place/thing)
गत्वाhaving gone
गत्वा:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), 'having gone'
मोदतेrejoices
मोदते:
Kriya (क्रिया)
TypeVerb
Rootमुद् (धातु)
Formलट् (Present), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद
not
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-अव्यय (negation particle)
अत्रhere
अत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootअत्र (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
संशयःdoubt
संशयः:
Karta (कर्ता)
TypeNoun
Rootसंशय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
अथthen
अथ:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तरार्थक-अव्यय (then/now)
प्राणान्life-breaths / vital airs
प्राणान्:
Karma (कर्म)
TypeNoun
Rootप्राण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन
प्रमुञ्चेतwould release / should give up
प्रमुञ्चेत:
Kriya (क्रिया)
TypeVerb
Rootप्र + मुच् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
ममof me / my
मम:
Sambandha (सम्बन्ध)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th), एकवचन; सर्वनाम
चिन्तापरायणःone devoted to thinking of (me)
चिन्तापरायणः:
Karta (कर्ता)
TypeAdjective
Rootचिन्ता + परायण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; तत्पुरुष-समास (चिन्तायां परायणः—'devoted to contemplation')

Varāha (default, instructor voice in Varāha–Pṛthivī dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Instruction to Bhū-devī about the salvific efficacy of going to Agastibhakna and dying with contemplation of Varāha."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, receptive","key_question":"How does pilgrimage to Agastibhakna and remembrance of the Lord at death lead to joy and liberation?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Agastibhakna (tīrtha)"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"One should go to the tīrtha Agastibhakna and, with mind fixed on the Lord, relinquish the life-breath there for highest good.","karmic_consequence":"Devotional death (smaraṇa at prāṇa-tyāga) yields rejoicing and attainment of the Lord’s realm; neglect implies loss of this special soteriological fruit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-soteriology","core_concept":"Anta-kāla-smṛti (remembrance at the time of death) combined with tīrtha-sevā leads to the highest destination.","practical_application":"Practice daily remembrance (japa/dhyāna) so that at life’s end the mind naturally rests on the Lord; honor sacred places with reverence and restraint."}

Subject Matter: ["Heritage Sites","Ethics"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: tīrtha/heritage site

Related Themes: Varāha Purāṇa 150.52–55 (Agastya-tīrtha description and marvels)

Visual Art Cues: {"scene_description":"Varāha, as divine instructor, speaks to Bhū-devī about the tīrtha Agastibhakna and the blissful passage attained by one who dies contemplating him.","item_prompts":["Varāha teaching posture","Bhū-devī listening (suśroṇī epithet implied)","tīrtha landscape with waterbody","pilgrim in meditation at life’s end","aura indicating ‘my world’ (Vaikuṇṭha-like)"],"kerala_mural_prompt":"Kerala mural style: seated Varāha as guru with ornate crown and halo, Bhū-devī in graceful stance, lush tīrtha grove and pond, flat perspective, rich reds/greens.","tanjore_prompt":"Tanjore style: central Varāha with gold-leaf halo and jewelry, Bhū-devī at side, small vignette of pilgrim meditating by pond, heavy ornamentation.","mysore_prompt":"Mysore style: delicate linework, subdued palette, Varāha instructing with abhaya/vara gestures, serene pond and trees, soft shading.","pahari_prompt":"Pahari style: lyrical riverside tīrtha with rolling hills, Varāha and Bhū-devī in intimate teacher-disciple composition, fine facial expressions, cool blues/greens."}

Audio Atmosphere: {"recitation_mood":"assuring, contemplative","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"steady, compassionate, didactic"}

C
Classical Literature
V
Vaishnavism
P
Pilgrimage Literature
S
Soteriology

FAQs

It links a named tīrtha (Agastibhakna) with affective reward (joy) and a liberation-oriented ideal at life’s end, reflecting standard Purāṇic pilgrimage rhetoric.

Agastibhakna (as transmitted in the excerpt) is a place-name; without additional manuscript context, precise modern correlation remains indeterminate.

The verse promotes disciplined remembrance/contemplation (cintā) as a stabilizing life-practice, especially emphasized at the end of life.

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