The Episode of the Khañjarīṭa Bird
and the Saukarava Tīrtha’s Merit
न ममेति तवेत्युक्त्वा ह्यादित्यं तीर्थमुत्तमम्॥ क्रोधेनादाय तीव्रेण क्षिप्तो गङ्गाम्भसि त्वरा॥
na mameti tavety uktvā hy ādityaṃ tīrtham uttamam | krodhenādāya tīvreṇa kṣipto gaṅgāmbhasi tvarā ||
กล่าวว่า “ไม่ใช่ของข้า—ของเจ้า!” แล้วที่ทิรถะอันประเสริฐชื่อ อาทิตยะ-ตีรถะ ด้วยความโกรธแรงกล้า เขาจับข้าพเจ้าและโยนลงสู่น้ำคงคาโดยฉับพลัน
Khañjarīṭa
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"observer"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"Āditya-tīrtha (on Gaṅgā)"}
Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Anger-driven harm at a sacred ford is especially blameworthy; tīrthas demand restraint, purity, and protection of life.","karmic_consequence":"Violence in/near tīrtha aggravates pāpa; reverent conduct at tīrtha supports purification and auspicious results."}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"tīrtha-ethics / sanctity of place","core_concept":"Sacred places magnify outcomes: reverence purifies, but irreverence exposes inner adharma; anger profanes one’s own mind even at holy waters.","practical_application":"Approach pilgrimage sites with self-restraint, non-violence, and humility; treat all beings at tīrtha as under divine protection."}
Subject Matter: ["Geography","Heritage Sites","Ethics"]
Primary Rasa: raudra
Secondary Rasa: bhayānaka
Type: tīrtha (river ford)
Related Themes: Varāha Purāṇa 138.89 (death at Sūryatīrtha and liberation by its power)
Visual Art Cues: {"scene_description":"At a Gaṅgā ford named Āditya-tīrtha, a boy in anger throws the small bird into the river; the sacred river setting contrasts with the violent act.","item_prompts":["broad flowing Gaṅgā","steps/ford markers","sun motif (Āditya) above or on a banner/stone","boy mid-throw","bird arcing toward water","splash/ripples"],"kerala_mural_prompt":"Kerala mural style: luminous river band, stylized sun-disc, dramatic throwing gesture, moral contrast through color (hot reds vs cool blues).","tanjore_prompt":"Tanjore style: prominent sun-disc with gold leaf, ornate riverbank architecture, frozen moment of the throw.","mysore_prompt":"Mysore style: elegant riverbank, detailed ripples, expressive yet refined depiction of anger.","pahari_prompt":"Pahari style: scenic river landscape with sun in sky, narrative clarity of the throw, delicate natural details."}
Audio Atmosphere: {"recitation_mood":"dramatic, admonitory","suggested_raga":"Bhairav","pace":"medium","voice_tone":"grave, emphatic on ‘क्रोधेन’ and ‘गङ्गाम्भसि’"}
It links narrative action to a named tīrtha, reflecting how Purāṇas embed sacred-geographic catalogues within moral stories, aiding the cultural mapping of pilgrimage landscapes.
Āditya-tīrtha on/at the Gaṅgā is named; precise modern identification varies by regional tīrtha traditions and would require manuscript-localization or parallel tīrtha lists for confirmation.
It critiques anger and possessive dispute as drivers of harmful actions, even in spaces framed as culturally significant (tīrtha).
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