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Varaha Purana 137.35: Adhyaya 137, Shloka 35

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

दश पूर्वापराश्चापि अपरे सप्त पञ्च च ॥ स्वर्गं गच्छन्ति पुरुषास्तेषां ये तत्र वै मृताः ॥

Sanskrit recitationVaraha Purana 137.35

daśa pūrvāparāś cāpi apare sapta pañca ca | svargaṃ gacchanti puruṣās teṣāṃ ye tatra vai mṛtāḥ ||

สิบคนจากหมู่ก่อนและหมู่หลัง และอีกพวก—เจ็ดและห้าด้วย—บุรุษเหล่านั้นที่ตาย ณ ที่นั้นโดยแท้ ย่อมไปสู่สวรรค์

दशten
दश:
Saṅkhyā-viśeṣaṇa (संख्या-विशेषण)
TypeAdjective
Rootदशन् (संख्या-प्रातिपदिक)
Formअव्ययवत् संख्या (indeclinable numeral used adjectivally)
पूर्व-अपराःthose in the east and west (groups)
पूर्व-अपराः:
Karta (कर्ता)
TypeAdjective
Rootपूर्व (प्रातिपदिक) + अपर (प्रातिपदिक)
Formइतरेतर-द्वन्द्व (copulative): ‘पूर्वाश्च अपराश्च’; पुंलिङ्ग (masculine), प्रथमा विभक्ति (nominative), बहुवचन (plural)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
अपिalso
अपि:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Rootअपि (अव्यय)
Formनिपात (particle), अप्यर्थ (also/even)
अपरेothers
अपरे:
Karta (कर्ता)
TypeAdjective
Rootअपर (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा विभक्ति (nominative), बहुवचन (plural)
सप्तseven
सप्त:
Saṅkhyā-viśeṣaṇa (संख्या-विशेषण)
TypeAdjective
Rootसप्तन् (संख्या-प्रातिपदिक)
Formअव्ययवत् संख्या (indeclinable numeral used adjectivally)
पञ्चfive
पञ्च:
Saṅkhyā-viśeṣaṇa (संख्या-विशेषण)
TypeAdjective
Rootपञ्चन् (संख्या-प्रातिपदिक)
Formअव्ययवत् संख्या (indeclinable numeral used adjectivally)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
स्वर्गम्heaven
स्वर्गम्:
Karma (कर्म)
TypeNoun
Rootस्वर्ग (प्रातिपदिक)
Formपुंलिङ्ग (masculine), द्वितीया विभक्ति (accusative), एकवचन (singular)
गच्छन्तिgo
गच्छन्ति:
Kriyā (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलट् (Present/वर्तमान), प्रथमपुरुष (3rd person), बहुवचन (plural), परस्मैपद
पुरुषाःmen; persons
पुरुषाः:
Karta (कर्ता)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा विभक्ति (nominative), बहुवचन (plural)
तेषाम्of them
तेषाम्:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी विभक्ति (genitive), बहुवचन (plural)
येwho
ये:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा विभक्ति (nominative), बहुवचन (plural); सम्बन्धसूचक (relative)
तत्रthere
तत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक क्रियाविशेषण (adverb of place)
वैindeed
वै:
Sambandha-bodhaka (सम्बन्धबोधक)
TypeIndeclinable
Rootवै (अव्यय)
Formनिपात (particle), निश्चयार्थ (indeed)
मृताःdead; having died
मृताः:
Karta (कर्ता)
TypeVerb
Rootमृ (धातु)
Formक्त (past passive participle/कृदन्त), प्रथमा विभक्ति (nominative), बहुवचन (plural), पुंलिङ्ग (masculine)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Ethical exemplar (vinaya and reverence)","core_concept":"Humility and respectful address—touching the feet—signals dharmic relational conduct and receptivity to counsel.","practical_application":"Approach elders/teachers/spouses with respect; listen first, respond without hostility, and ground speech in humility."}

Subject Matter: ["Geography","Ethics"]

Primary Rasa: śṛṅgāra

Secondary Rasa: bhakti

Related Themes: Narrative framing around a king and queen (implied larger story context)

Visual Art Cues: {"scene_description":"A lovely-eyed lady smiles, grasps her husband’s feet in reverence, and speaks to the king.","item_prompts":["king seated","lady holding both feet (pāda-grahaṇa)","gentle smile","court interior","attendants or minimal royal symbols (throne, fly-whisk)"],"kerala_mural_prompt":"Kerala mural: stylized royal court, expressive eyes, restrained gesture of pāda-grahaṇa, warm tones and ornamental borders.","tanjore_prompt":"Tanjore: richly jeweled king and queen, gold-leaf throne and halo-like arch, emphasized ornaments and textiles.","mysore_prompt":"Mysore: refined court scene, delicate jewelry, soft smile, dignified posture, subtle architectural backdrop.","pahari_prompt":"Pahari: intimate palace interior, lyrical lines, bright textiles, tender respectful gesture as focal point."}

Audio Atmosphere: {"recitation_mood":"narrative, tender","suggested_raga":"Khamaj","pace":"medium","voice_tone":"warm, storytelling, gentle"}

C
Classical Literature
V
Vaishnavism
A
Ancient Geography

FAQs

It exemplifies a widespread Purāṇic topos: associating specific locales with post-mortem outcomes, reflecting pilgrimage culture and memorial geography.

The verse refers to ‘there’ (tatra) without naming the site in this fragment; it likely continues the previously mentioned kṣetra context.

It links human conduct and end-of-life context with moral-ritual outcomes, reinforcing the cultural practice of valuing certain heritage places.

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