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Varaha Purana 126.30: Adhyaya 126, Shloka 30

The Greatness of Kubjāmraka: Raibhya’s Boon and the Teaching on the Sacred Tīrthas

ततो वै तप्यमानं तं गङ्गाद्वारमुपागतम् ॥ आम्रवृक्षं समासाद्य दृष्टः स मुनिपुङ्गवः

Sanskrit recitationVaraha Purana 126.30

tato vai tapyamānaṃ taṃ gaṅgādvāram upāgatam || āmravṛkṣaṃ samāsādya dṛṣṭaḥ sa munipuṅgavaḥ

ครั้นแล้ว ผู้นั้นผู้ถูกความทุกข์ครอบงำได้มาถึงคงคาทวาร และเข้าไปใกล้ต้นมะม่วง ก็ถูกฤๅษีผู้ประเสริฐในหมู่นักบวชเห็นเข้า

tataḥthen
tataḥ:
Kala (काल)
TypeIndeclinable
Roottataḥ (अव्यय)
Formअव्यय; क्रमवाचक (then)
vaiindeed
vai:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootvai (अव्यय)
Formनिपात (emphasis)
tapyamānamperforming austerity / being heated
tapyamānam:
Visheshana (विशेषण)
TypeAdjective
Roottap (तप् धातु)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; शानच्-प्रत्ययान्त वर्तमानकाले कर्मणि/कर्तरि कृदन्त (present participle), विशेषण (tam)
tamhim
tam:
Karma (कर्म)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; सर्वनाम
gaṅgādvāramGaṅgādvāra (gateway to the Ganges)
gaṅgādvāram:
Karma (कर्म; destination)
TypeNoun
Rootgaṅgā-dvāra (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (गङ्गायाः द्वारम्)
upāgatamarrived (there)
upāgatam:
Visheshana (विशेषण)
TypeAdjective
Rootupa-√gam (गम् धातु)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; क्त-प्रत्ययान्त (past participle), विशेषण (tam)
āmravṛkṣama mango tree
āmravṛkṣam:
Karma (कर्म)
TypeNoun
Rootāmra-vṛkṣa (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; षष्ठी-तत्पुरुष/कर्मधारय-सम्भाव्य (आम्रः वृक्षः)
samāsādyahaving approached
samāsādya:
Kriya (क्रिया; पूर्वक्रिया)
TypeVerb
Rootsam-ā-√sad (सद् धातु)
Formक्त्वान्त-अव्ययकृदन्त (absolutive), ‘having approached/reached’
dṛṣṭaḥwas seen
dṛṣṭaḥ:
Karma (कर्म; passive)
TypeVerb
Root√dṛś (दृश् धातु)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; क्त-प्रत्ययान्त भूतकर्मणि कृदन्त (past passive participle)
saḥhe
saḥ:
Karta (कर्ता; logical subject)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; सर्वनाम
munipuṅgavaḥthe foremost sage
munipuṅgavaḥ:
Karta (कर्ता)
TypeNoun
Rootmuni-puṅgava (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (मुनीनां पुङ्गवः = best of sages)

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"dialogue","earth_interaction":"Continues instructive description to a ruler (‘janādhipa’), within Varāha’s broader discourse, emphasizing sacred-ecological detail (flowers in a shrine zone)."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"uneasy, reflective on impurity/appropriation of offerings","key_question":"What is the meaning of a venomous serpent consuming fragrant flowers in a sacred area, and what consequence follows from such intrusion?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Offerings/flowers in sacred places are part of ritual economy; their desecration/consumption by intruders is narrated as a sign of disorder requiring interpretation or remedial action.","karmic_consequence":"Implied in narrative: intrusion into sacred offerings correlates with danger/inauspiciousness; proper protection/purity restores auspicious order."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"purity-boundary ethics","core_concept":"Sacred spaces require guardianship of offerings and boundaries; nature’s forces are to be respected and ritually harmonized, not ignored.","practical_application":"Keep temple spaces clean and protected; treat offerings with reverence; respond to signs of disorder with dharmic remedies rather than panic."}

Subject Matter: ["Geography","Heritage Sites","Ecology"]

Primary Rasa: bībhatsa

Secondary Rasa: adbhuta

Type: temple offering-space / sacred grove edge

Related Themes: The serpent–mongoose episode and its aftermath; any subsequent explanation of why the serpent is there and what it signifies

Visual Art Cues: {"scene_description":"A venomous she-serpent crawls through a sacred area, eating fragrant flowers meant as offerings.","item_prompts":["serpent moving across stone floor","heaps of mixed flowers (mallikā, campaka-like variety)","temple lamp or offering plate","watchful human/kingly observer implied by address"],"kerala_mural_prompt":"Kerala mural style: sinuous serpent against patterned temple floor, vivid flower clusters, ritual lamp glow, heightened contrast to convey unease.","tanjore_prompt":"Tanjore style: gold-highlighted offering tray and temple motifs, serpent rendered with jewel-like scales, opulent yet ominous mood.","mysore_prompt":"Mysore style: detailed florals, refined serpent texture, calm but unsettling composition within a shrine corridor.","pahari_prompt":"Pahari style: simplified shrine setting, bright flowers, dark serpent line, narrative clarity with restrained ornament."}

Audio Atmosphere: {"recitation_mood":"ominous, descriptive","suggested_raga":"Todi","pace":"medium","voice_tone":"low, cautionary"}

C
Classical Literature
A
Ancient Geography
P
Pilgrimage Literature
E
Environmental Motifs

FAQs

It situates the narrative at Gaṅgādvāra, a well-attested sacred toponym in Sanskrit literature, strengthening the text’s connection to pilgrimage geography.

Gaṅgādvāra is named; in many traditions it is associated with the Haridwar region, though confirmation depends on broader textual context.

The scene models compassionate witnessing—suffering is noticed by a sage—setting conditions for guidance and resolution within the narrative.

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