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Varaha Purana 122.95: Adhyaya 122, Shloka 95

The Greatness of Kokāmukha

Sacred Site Eulogy and Salvific Narrative

स्त्रियोऽपि दिव्या यत्रत्या दिव्यभूषणभूषिताḥ॥ तेजसा दीप्तिमत्यश्च शुद्धसत्त्वविभूषिताḥ॥

Sanskrit recitationVaraha Purana 122.95

striyo 'pi divyā yatratyā divya-bhūṣaṇa-bhūṣitāḥ || tejasā dīptimatyāś ca śuddha-sattva-vibhūṣitāḥ ||

สตรีทั้งหลาย ณ ที่นั้นก็เป็นทิพย์ ประดับด้วยเครื่องประดับทิพย์; เปล่งประกายด้วยเดช และประกอบด้วยสัตตวะอันบริสุทธิ์ (ความผ่องใสแห่งจิต)

striyaḥwomen
striyaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootstrī (प्रातिपदिक)
FormStrīliṅga (Feminine/स्त्रीलिङ्ग), Prathamā (Nominative/प्रथमा), Bahuvacana
apialso/even
api:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootapi (अव्यय)
FormAvadhāraṇa/saṃbhāvanā-nipāta (particle/निपात)
divyāḥdivine
divyāḥ:
Karta (कर्ता/Subject complement)
TypeAdjective
Rootdivya (प्रातिपदिक)
FormStrīliṅga, Prathamā, Bahuvacana
yatratyāḥof that place/therein
yatratyāḥ:
Karta (कर्ता/Qualifier)
TypeAdjective
Rootyatratya (प्रातिपदिक)
FormStrīliṅga, Prathamā, Bahuvacana; deśa-vācaka adjective: ‘belonging to that place/there’
divya-bhūṣaṇa-bhūṣitāḥadorned with divine ornaments
divya-bhūṣaṇa-bhūṣitāḥ:
Karta (कर्ता/Subject complement)
TypeAdjective
Rootdivya (प्रातिपदिक) + bhūṣaṇa (प्रातिपदिक) + vi-√bhūṣ (धातु) + kta (कृत्)
FormKta-pratyayānta PPP; Strīliṅga, Prathamā, Bahuvacana; samāsa: divyaiḥ bhūṣaṇaiḥ bhūṣitāḥ (adorned with divine ornaments)
tejasāby radiance/splendor
tejasā:
Karaṇa (करण/Instrument)
TypeNoun
Roottejas (प्रातिपदिक)
FormNapुंसakaliṅga, Tṛtīyā (Instrumental), Ekavacana (Singular/एकवचन)
dīptimatyāḥradiant
dīptimatyāḥ:
Karta (कर्ता/Qualifier)
TypeAdjective
Rootdīpti-mat (प्रातिपदिक)
FormStrīliṅga, Prathamā, Bahuvacana; mat-pratyaya (मत्) possessive: ‘having radiance’
caand
ca:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-nipāta (conjunction)
śuddha-sattva-vibhūṣitāḥadorned with pure sattva
śuddha-sattva-vibhūṣitāḥ:
Karta (कर्ता/Subject complement)
TypeAdjective
Rootśuddha (प्रातिपदिक) + sattva (प्रातिपदिक) + vi-√bhūṣ (धातु) + kta (कृत्)
FormKta-pratyayānta PPP; Strīliṅga, Prathamā, Bahuvacana; samāsa: śuddhena sattvena vibhūṣitāḥ (adorned with pure sattva)

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":false,"earth_interaction":"Varāha narrates to Bhū-devī the qualities of beings in a sacred realm; no direct physical interaction described."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, receptive","key_question":"Implicit: what is the nature/quality of beings in that sacred realm and what marks their purity?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse frames sanctity as sattva-pradhāna radiance: purity of guṇa manifests outwardly as tejas; this aligns with Vaiṣṇava cosmography where proximity to the divine correlates with sattva and luminosity.","vedantic_connection":"Sattva as the guṇa conducive to jñāna and bhakti; inner śuddha-sattva expresses as prakāśa (luminosity), echoing the idea that consciousness is self-luminous when unobstructed."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Guṇa-theory ethics / devotional anthropology","core_concept":"Inner sattva (purity) naturally manifests as outer tejas (radiance) and divine comportment.","practical_application":"Cultivate sattva through purity, restraint, and devotion so that character becomes luminous and steady."}

Subject Matter: ["Cosmology","Geography","Philosophy"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: sacred site / tīrtha-like realm description

Related Themes: Varāha Purāṇa 122.107 (continuation: devotion to Varāha/Vişṇu and Kokāmukha’s excellence)

Visual Art Cues: {"scene_description":"A luminous sacred realm populated by divine women wearing celestial ornaments, their bodies and faces shining with sattvic brilliance.","item_prompts":["divine women (apsaras-like) with serene expressions","radiant aura/halo-like glow","celestial jewelry (necklaces, bangles, crowns)","soft, pure light filling the landscape","lotus motifs or ethereal architecture"],"kerala_mural_prompt":"Kerala mural style: frontal serene figures with almond eyes, rich yet balanced colors, ornate jewelry, soft golden aura indicating sattva, temple-like celestial backdrop.","tanjore_prompt":"Tanjore style: central divine female figures with heavy gold-leaf jewelry and embossed halos, luminous background, emphasis on ornamentation and splendor.","mysore_prompt":"Mysore style: delicate linework, subdued elegance, gentle radiance around figures, refined jewelry details, calm sacred atmosphere.","pahari_prompt":"Pahari style: lyrical landscape with misty hills/riverbank, slender graceful women, soft pastel glow, emphasis on serenity and wonder."}

Audio Atmosphere: {"recitation_mood":"serene-awe","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"clear, luminous, contemplative"}

C
Classical Literature
P
Purāṇic Cosmography
G
Guṇa Theory (Sattva)
S
Sacred Realm Descriptions

FAQs

It preserves the integration of guṇa vocabulary (sattva) into Purāṇic descriptive theology, useful for mapping philosophical terms across genres.

The inhabitants are described as 'yatratyāḥ' (of that place), referring to Śvetadvīpa in the immediate narrative context.

Implicitly, cultivation of purity (śuddha-sattva) is valorized as a trait of the exalted realm’s inhabitants.

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