Varaha Purana 10.14 — Adhyaya 10, Shloka 14
The Threefold Division by the Guṇas, the Deities’ Attainment of Worship, and the Opening of the Durjaya Episode
ब्रह्मविष्णुमहेशानानाम्ना गृहीय व्यवस्थितः । स च नारायणो देवः कृते युगवरे प्रभुः ॥ १०.१४ ॥
brahmaviṣṇumaheśānānāmnā gṛhīya vyavasthitaḥ | sa ca nārāyaṇo devaḥ kṛte yugavare prabhuḥ || 10.14 ||
เมื่อทรงรับนามว่า พรหมา วิษณุ และมเหศ แล้วทรงดำรงมั่นในภาวะนั้น และเทพองค์นั้นเองคือ นารายณะ ผู้เป็นจอมผู้ครองในกฤตยุค (สัตยยุค) อันประเสริฐ
Varāha (default, dialogue framework inferred)
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}
Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Indirect: establishes Nārāyaṇa’s supremacy, a theological ground later used to interpret Kṛṣṇa as Nārāyaṇa’s avatāra."}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Trimūrti-nāma-grahaṇa: the one deity ‘takes up’ the three divine names as functional stations (creation, preservation, dissolution) while remaining Nārāyaṇa, especially luminous in Kṛta-yuga.","yajna_varaha_imagery":"Implicit: the triad of divine offices parallels yajña’s triads (fires/worlds/steps), suggesting that cosmic administration is itself a sacrificial order upheld by Nārāyaṇa.","vedantic_connection":"Viśiṣṭādvaita-style reading fits: Nārāyaṇa as inner ruler (antaryāmin) of Brahmā, Viṣṇu, Maheśa; names denote roles, not separate ultimates."}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"Theology of divine names and roles","core_concept":"Brahmā-Viṣṇu-Maheśa are role-names assumed by the one Nārāyaṇa; in Kṛta-yuga his sovereignty is most manifest.","practical_application":"Practice ekānta-bhakti (single-point devotion) while honoring functional deities as expressions of the one Lord; cultivate Satya-yuga virtues—truthfulness, non-injury, purity."}
Subject Matter: ["Cosmology","Theology","Yuga Doctrine"]
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: cosmic time-cycle
Related Themes: 10.10.15 (yuga-wise forms)
Visual Art Cues: {"scene_description":"A single radiant Nārāyaṇa shown with three name-aspects indicated—Brahmā, Viṣṇu, Maheśa—arranged as emanations or insignia; backdrop suggests the pristine Satya/Kṛta age.","item_prompts":["central Nārāyaṇa with conch-disc-mace-lotus","three subsidiary emblems/figures labeled Brahmā/Viṣṇu/Maheśa","bright satya-yuga landscape (clear rivers, white lotuses)","aura of ordered symmetry"],"kerala_mural_prompt":"Kerala mural: Nārāyaṇa central, three emanations in smaller medallions; strong greens and golds; serene faces, symmetrical layout.","tanjore_prompt":"Tanjore: Nārāyaṇa with heavy gold halo; three embossed side panels for Brahmā/Viṣṇu/Maheśa; satya-yuga purity via white-gold palette.","mysore_prompt":"Mysore: elegant Nārāyaṇa with subtle triadic iconography; soft luminous background; refined ornamentation.","pahari_prompt":"Pahari: lyrical satya-yuga garden setting; Nārāyaṇa seated, three aspects appearing as cloud-borne vignettes; delicate linework."}
Audio Atmosphere: {"recitation_mood":"serene and declarative","suggested_raga":"Kalyani","pace":"medium-slow","voice_tone":"calm, authoritative, with gentle stress on ‘nārāyaṇo devaḥ’"}
FAQs
It reflects a Purāṇic strategy of theological synthesis, presenting major divine functions/names (Brahmā, Viṣṇu, Maheśa) as assumed within a single overarching principle, a common feature in later Sanskrit doctrinal literature.
No specific geographic location is named in this verse; it is primarily doctrinal/cosmological rather than a tīrtha or sacred-place description.
The verse does not state a direct ethical rule; its philosophical instruction emphasizes ordered cosmic governance and the identification of Nārāyaṇa as the presiding principle associated with the Kṛta Yuga.
Ask anything about this verse
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