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Skanda Purana — Prabhasa Khanda, Shloka 192

तूर्यवादित्रघोषैश्च सर्वं कोलाहलीकृतम् । ततः कृतांजलिपुटा भक्तिनम्रात्ममूर्त्तयः

tūryavāditraghoṣaiśca sarvaṃ kolāhalīkṛtam | tataḥ kṛtāṃjalipuṭā bhaktinamrātmamūrttayaḥ

ด้วยเสียงประโคมแห่งแตรและเครื่องดนตรี ทุกสิ่งกึกก้องเป็นมหาโกลาหลอันมงคล; แล้วพวกเขาประนมมือเป็นอัญชลี กายใจน้อมต่ำด้วยภักติ

तूर्य-वादित्र-घोषैःwith the sounds of musical instruments
तूर्य-वादित्र-घोषैः:
Karaṇa (Instrument/करण)
TypeNoun
Rootतूर्य (प्रातिपदिक) + वादित्र (प्रातिपदिक) + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (Instrumental/3rd), बहुवचन; समासः—तत्पुरुष (determinative)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
सर्वम्everything, the whole (place)
सर्वम्:
Karma (Object/कर्म)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग (Neuter), प्रथमा/द्वितीया (Nom./Acc.), एकवचन (Singular)
कोलाहलीकृतम्made noisy, turned into a din
कोलाहलीकृतम्:
Kriya (Action/क्रिया)
TypeVerb
Rootकोलाहल (प्रातिपदिक) + कृ (धातु)
Formभूतकृदन्त (Past passive participle/क्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘कोलाहल’ इति उपपदपूर्वकः
ततःthen
ततः:
Kriya-visheshaṇa (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अनन्तरार्थक (thereafter)
कृत-अञ्जलि-पुटाःhaving hands folded (in añjali)
कृत-अञ्जलि-पुटाः:
Karta (Subject/कर्ता)
TypeAdjective
Rootकृत (कृ धातु, क्त) + अञ्जलि (प्रातिपदिक) + पुट (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; समासः—तत्पुरुष (‘कृतः अञ्जलिपुटः येषाम्/ये’)
भक्ति-नम्र-आत्म-मूर्त्तयःforms/persons humble in devotion
भक्ति-नम्र-आत्म-मूर्त्तयः:
Karta (Subject/कर्ता)
TypeNoun
Rootभक्ति (प्रातिपदिक) + नम्र (प्रातिपदिक) + आत्मन् (प्रातिपदिक) + मूर्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा, बहुवचन; समासः—तत्पुरुष/कर्मधारय-प्राय (devotional, humble in self/attitude)

Sūta (Lomaharṣaṇa) narrating to the sages (deduced)

Tirtha: Prabhāsa-kṣetra

Type: kshetra

Scene: After a roaring crescendo of trumpets and instruments, the crowd becomes still: devotees stand with folded hands, bodies slightly bent, faces softened by devotion, the deity’s presence drawing all motion inward.

A
Añjali (gesture of reverence)

FAQs

Outer celebration is perfected by inner humility—añjali and bowed devotion sanctify all worship.

Prabhāsa-kṣetra, where divine beings themselves model reverent conduct.

The devotional posture of añjali (joined palms) is highlighted as an appropriate act of reverence.