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Skanda Purana — Nagara Khanda, Shloka 61

विहाय दुःखमकरोद्गात्रक्षालनमंबुना । तीरे पद्मासनं बद्ध्वा कृत्वा निर्विषयं मनः

vihāya duḥkhamakarodgātrakṣālanamaṃbunā | tīre padmāsanaṃ baddhvā kṛtvā nirviṣayaṃ manaḥ

นางละทิ้งความโศก แล้วชำระกายด้วยน้ำ ณ ริมฝั่งนางนั่งปัทมาสนะ ทำจิตให้พ้นจากอารมณ์แห่งอินทรีย์ทั้งหลาย

विहायhaving abandoned
विहाय:
Kriyāviśeṣaṇa (Adverbial modifier)
TypeVerb
Rootवि-हā (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; धातु: हा (त्यागे) उपसर्ग: वि-; अर्थे: ‘having abandoned’
दुःखम्sorrow, suffering
दुःखम्:
Karma (Object)
TypeNoun
Rootदुःख (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन
अकरोत्did, performed
अकरोत्:
Kriyā (Main verb)
TypeVerb
Rootकृ (धातु)
Formलङ्-लकार (Imperfect/Past), परस्मैपद, प्रथमपुरुष, एकवचन
गात्र-क्षालनम्washing of the limbs
गात्र-क्षालनम्:
Karma (Object)
TypeNoun
Rootगात्र (प्रातिपदिक) + क्षालन (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (gātrasya kṣālanam), नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
अम्बुनाwith water
अम्बुना:
Karaṇa (Instrument)
TypeNoun
Rootअम्बु (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन
तीरेon the bank/shore
तीरे:
Adhikaraṇa (Location)
TypeNoun
Rootतीर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
पद्मासनम्lotus-posture seat (padmāsana)
पद्मासनम्:
Karma (Object)
TypeNoun
Rootपद्म (प्रातिपदिक) + आसन (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (padmasya āsanam), नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
बद्ध्वाhaving bound/assumed
बद्ध्वा:
Kriyāviśeṣaṇa (Adverbial modifier)
TypeVerb
Rootबन्ध् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः; धातु: बन्ध् (बन्धने)
कृत्वाhaving made
कृत्वा:
Kriyāviśeṣaṇa (Adverbial modifier)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः
निर्विषयम्free from objects (of sense)
निर्विषयम्:
Karma (Object complement)
TypeAdjective
Rootनिर्विषय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषणम् (qualifying मनः)
मनःmind
मनः:
Karma (Object)
TypeNoun
Rootमनस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन

Narrator

Type: ghat

Scene: A solitary woman at a riverbank, having washed, sits in padmāsana on clean sand/stone steps; the water is calm, with lotuses and a soft dawn light; her gaze is inward, senses withdrawn.

V
Vṛndā
T
Tīra (bank)
S
Saraḥ (lake/pond)

FAQs

Tīrtha-practice unites outer purification (snāna) with inner purification (sense-withdrawal and meditation), turning grief into spiritual resolve.

The immediate sacred setting is the lake (saraḥ) and its bank (tīra) within the Nāgarakhaṇḍa’s tīrtha narrative; the proper tīrtha-name is not stated in this verse.

Bodily washing with water (snāna/śauca) and meditative discipline: sitting in padmāsana and making the mind nirviṣaya (withdrawn from sense-objects).