Previous Verse
Next Verse

Skanda Purana — Nagara Khanda, Shloka 6

अतिसंक्षिप्तकेशा या अतिदीर्घातिवामना । उद्वाहयति यः कन्यां पुरुषः काममोहितः

atisaṃkṣiptakeśā yā atidīrghātivāmanā | udvāhayati yaḥ kanyāṃ puruṣaḥ kāmamohitaḥ

หญิงสาวผู้มีผมสั้นยิ่งนัก หรือสูงเกินไป หรือเตี้ยแคระเกินไป—หากชายใดถูกกามโมหะครอบงำแล้วอภิเษกสมรสกับนาง,

अति-संक्षिप्त-केशाwith very short hair
अति-संक्षिप्त-केशा:
Visheshana (विशेषण)
TypeAdjective
Rootअति (पूर्वपद) + संक्षिप्त (क्षिप् धातोः क्त) + केश (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; विशेषण (having very short hair)
याwho
या:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; सम्बन्धार्थे (relative pronoun: 'who')
अति-दीर्घाvery tall/long
अति-दीर्घा:
Visheshana (विशेषण)
TypeAdjective
Rootअति (पूर्वपद) + दीर्घ (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; विशेषण
अति-वामनाvery short/dwarfish
अति-वामना:
Visheshana (विशेषण)
TypeAdjective
Rootअति (पूर्वपद) + वामन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; विशेषण (very short/dwarfish)
उद्वाहयतिmarries (takes in marriage)
उद्वाहयति:
Kriya (क्रिया)
TypeVerb
Rootउद् + वह् (धातु)
Formलट्-लकार (वर्तमान), प्रथमपुरुष, एकवचन; परस्मैपद; causative sense in usage 'to marry off/take in marriage'
यःwho (that man)
यः:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; सम्बन्धार्थे (he who)
कन्याम्a maiden
कन्याम्:
Karma (कर्म)
TypeNoun
Rootकन्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
पुरुषःa man
पुरुषः:
Karta (कर्ता)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; यः इत्यस्य विशेष्य (apposition)
काम-मोहितःdeluded by lust
काम-मोहितः:
Visheshana (विशेषण)
TypeAdjective
Rootकाम (प्रातिपदिक) + मोहित (मुह् धातोः क्त)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; भूतकृदन्त-विशेषण (deluded by desire)

Sūta (continuing narration; citing śāstric notion within the story)

Scene: A didactic tableau: a man reaching toward a maiden while a sage/elder raises a hand in warning, holding a śāstra; the scene emphasizes moral tension—desire versus injunction.

K
Kāma (desire)

FAQs

The narrative contrasts kāma-driven action with śāstra-guided restraint, setting up the moral tension of the episode.

Indirectly tied to the Dīrghikā-saras legend within Śrīhāṭakeśvara-kṣetra; the tīrtha will later serve as the redemptive focus.

None; it presents a cautionary rule associated with marriage choices.