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Skanda Purana — Nagara Khanda, Shloka 56

स च गीतं स्वयं चक्रे तालमादाय पाणिना । मूर्छातालकृतं रम्यं सप्तस्वरविराजितम्

sa ca gītaṃ svayaṃ cakre tālamādāya pāṇinā | mūrchātālakṛtaṃ ramyaṃ saptasvaravirājitam

แล้วเขาแต่งและขับร้องบทเพลงด้วยตนเอง กำกับตาละด้วยมือ เป็นบทอันไพเราะ จัดวางด้วยมูรฉาและจังหวะงดงาม โดดเด่นด้วยรัศมีแห่งเจ็ดสวระ

सःhe
सः:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/कर्ता), एकवचन; सर्वनाम
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय
गीतम्a song
गीतम्:
Karma (Object/कर्म)
TypeNoun
Rootगीत (प्रातिपदिक; कृदन्त)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; भूतकृदन्त (क्त) ‘गीत’
स्वयम्himself
स्वयम्:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootस्वयम् (अव्यय)
Formअव्यय; आत्मकर्तृत्वे (oneself)
चक्रेmade/performed
चक्रे:
Kriya (Action/क्रिया)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; अर्थे ‘अकरोत्’
तालम्rhythm/beat
तालम्:
Karma (Object/कर्म)
TypeNoun
Rootताल (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
आदायhaving taken
आदाय:
Purvakala (Prior action/पूर्वकाल)
TypeIndeclinable
Rootआ + दा (धातु)
Formक्त्वान्त-अव्यय (absolutive/gerund) ‘आदाय’ = taking
पाणिनाwith (his) hand
पाणिना:
Karana (Instrument/करण)
TypeNoun
Rootपाणि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/करण), एकवचन
मूर्छातालकृतम्made with melodic modes and rhythm
मूर्छातालकृतम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootमूर्छा + ताल + कृत (प्रातिपदिक; कृदन्त)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; समासः—तत्पुरुषः (मूर्छा-तालाभ्यां कृतम्)
रम्यम्charming
रम्यम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootरम्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
सप्तस्वरविराजितम्adorned with the seven notes
सप्तस्वरविराजितम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसप्त + स्वर + विराजित (प्रातिपदिक; कृदन्त)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; समासः—तत्पुरुषः (सप्तस्वरैः विराजितम्)

Narrator (contextual Purāṇic narrator within Tīrthamāhātmya; exact speaker not explicit in the snippet)

Type: kshetra

Scene: Before the deity, the devotee sings while marking tāla with his palm; the atmosphere glows with musical energy, as if the seven notes take visible form around the shrine.

FAQs

Devotional artistry—music offered with sincerity—becomes a form of worship and purifies the heart.

The verse belongs to Nāgarakhaṇḍa Tīrthamāhātmya; this line alone does not specify the tirtha name.

Offering devotional music (gīta) with proper rhythm (tāla) and melodic structure as part of worship.

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