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Skanda Purana — Mahesvara Khanda, Shloka 60

ततोऽवाद्यंत तान्येव घनानि सुषिराणि च । कलगानपराः सर्वे सर्वे मृदंगवादिनः

tato'vādyaṃta tānyeva ghanāni suṣirāṇi ca | kalagānaparāḥ sarve sarve mṛdaṃgavādinaḥ

แล้วเครื่องดนตรีเหล่านั้นก็ถูกบรรเลง ทั้งชนิดเสียงทึบ (เครื่องตี) และชนิดกลวงคือเครื่องเป่า ทุกคนมุ่งมั่นในบทขับร้องตามจังหวะ และทุกคนล้วนเป็นผู้บรรเลงมฤทังคะ

ततःthen
ततः:
Kriya-visheshana (Temporal)
TypeIndeclinable
Rootतद् (सर्वनाम-प्रातिपदिक)
Formअव्यय; तदनन्तरम् (then)
अवाद्यन्तthey sounded/played
अवाद्यन्त:
Kriya (Action/क्रिया)
TypeVerb
Rootवाद् (धातु)
Formलङ् (अनद्यतनभूत/Imperfect), परस्मैपद; प्रथमपुरुष, बहुवचन; धातु: वाद् (to sound/play)
तानिthose
तानि:
Karma (Object/कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया, बहुवचन; अत्र कर्म/उद्देश्य (those instruments)
एवindeed
एव:
Avadharana (Emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक अव्यय
घनानिsolid (percussion) instruments
घनानि:
Karma (Object/कर्म)
TypeNoun
Rootघन (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया, बहुवचन; वाद्यविशेष (solid/percussion instruments)
सुषिराणिhollow (wind) instruments
सुषिराणि:
Karma (Object/कर्म)
TypeNoun
Rootसुषिर (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया, बहुवचन; वाद्यविशेष (hollow/wind instruments)
and
:
Samuccaya (Conjunctive)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
कलगानपराःintent on melodious singing
कलगानपराः:
Visheshana (Adjectival)
TypeAdjective
Rootकलगान (प्रातिपदिक) + पर (प्रातिपदिक)
Formतत्पुरुषसमास (कलगाने पराः); पुंलिङ्गे, प्रथमा, बहुवचन; विशेषण (सर्वे)
सर्वेall
सर्वे:
Karta (Subject/कर्ता)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचन; सर्वे (all)
सर्वेall (indeed)
सर्वे:
Karta (Subject/कर्ता)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचन; पुनरुक्ति (emphatic repetition)
मृदंगवादिनःplayers of mṛdaṅga drums
मृदंगवादिनः:
Karta (Subject/कर्ता)
TypeNoun
Rootमृदंग (प्रातिपदिक) + वादिन् (प्रातिपदिक)
Formतत्पुरुषसमास (मृदंगं वादयन्ति इति); पुंलिङ्गे, प्रथमा, बहुवचन

Lomaharṣaṇa (Sūta), narrating to the sages (deduced)

Tirtha: Kedāra

Type: kshetra

Scene: A coordinated orchestra of gaṇas: percussion and wind instruments played together; singers keep measured melody while mṛdaṅga players drive the rhythm.

G
Ghana vādya (percussion)
S
Suṣira vādya (wind instruments)
M
Mṛdaṅga

FAQs

Sound and rhythm become vehicles of sacred power—here, music functions as an omen and amplifier of divine presence.

Kedārakhaṇḍa provides the sacred setting; this verse does not name a specific tīrtha.

None directly; it notes collective performance of instruments and song.