तमालोक्य ततो वेधा लिंगरूपिणमीश्वरम् । पंचाक्षरं प्रपंचाच्च भिन्नं तुष्टाव शंकरम्
tamālokya tato vedhā liṃgarūpiṇamīśvaram | paṃcākṣaraṃ prapaṃcācca bhinnaṃ tuṣṭāva śaṃkaram
ครั้นเห็นพระผู้เป็นเจ้าผู้ทรงปรากฏเป็นรูปศิวลึงค์แล้ว พระพรหม (เวธา) จึงสรรเสริญพระศังกร ผู้เหนือและแยกจากโลกปรากฏทั้งปวง และสรรเสริญมนต์ห้าพยางค์ “ปัญจักษรี” ด้วย
Narrative voice (context: Skanda relates the Kāśī-māhātmya to Agastya; here the action described concerns Brahmā)
Tirtha: Kāśī (Viśveśvara/Śiva-liṅga context)
Type: kshetra
Listener: Pilgrimage-seeker audience framed through purāṇic dialogue (Kāśī-māhātmya setting)
Scene: Brahmā beholds Īśvara manifested as a radiant liṅga and offers stuti, with the pañcākṣarī implied as a luminous mantra-stream around the liṅga.
Realization of Śiva as transcendent to worldly manifestation, approached through Liṅga-darśana and the Pañcākṣarī mantra.
The Kāśī realm—especially Ānandavana—where Śiva’s presence is celebrated through the Liṅga and mantra.
Implicit emphasis on Pañcākṣarī-japa and Liṅga-stuti (praise/worship) as a devotional practice.