देवतात्रयतीर्थं च शूलखातं ततः परम् । ब्रह्मोदं शाङ्करं सौम्यं सारस्वतमतः परम्
devatātrayatīrthaṃ ca śūlakhātaṃ tataḥ param | brahmodaṃ śāṅkaraṃ saumyaṃ sārasvatamataḥ param
ถัดไปมีทีรถะเทวตา-ตรัย และต่อจากนั้นคือ ศูลขาตะ เหนือไปจากนั้นมี พรหมโทท, ศางกร, เสามยะ และแล้วจึงเป็นทีรถะสารัสวตะ
Sūta (Lomaharṣaṇa) (deduced from Purāṇic recital style in a tīrtha-catalogue section)
Tirtha: Devatā-traya; Śūlakhāta; Brahmoda; Śāṅkara; Saumya; Sārasvata
Type: ghat
Scene: A sequence of small shrines along a ghat: a tri-deva panel (Brahmā, Viṣṇu, Śiva), a rock cleft marked by a trident impression (Śūlakhāta), a bubbling spring (Brahmoda), a prominent Śiva-liṅga shrine (Śāṅkara), a serene ‘Saumya’ altar, and a Sarasvatī/vidyā-themed pavilion (Sārasvata).
Pilgrimage is framed as a dhārmic map: remembering and visiting named tīrthas aligns one with auspicious, deity-linked sanctity.
Multiple sites are invoked—Devatā-traya Tīrtha, Śūlakhāta, Brahmoda, Śāṅkara, Saumya, and Sārasvata—within the Revā Khaṇḍa’s Narmadā tīrtha circuit.
No explicit rite is stated here; the verse functions as a nāmāvalī (enumeration) supporting tīrtha-smaraṇa and pilgrimage.