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Skanda Purana — Avanti Khanda, Shloka 9

ततस्तुतोष भगवान्देवदेवो महेश्वरः । उवाच दानवं काले मेघगम्भीरया गिरा

tatastutoṣa bhagavāndevadevo maheśvaraḥ | uvāca dānavaṃ kāle meghagambhīrayā girā

ครั้นแล้วพระภควาน มเหศวรผู้เป็นเทพเหนือเทพทั้งหลายทรงพอพระทัย ครั้นถึงกาลอันควร พระองค์ตรัสแก่ทานวะด้วยสุรเสียงกังวานลึกดุจเมฆครึ้ม

ततःthen, thereafter
ततः:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootततः (अव्यय; तद्-प्रातिपदिकात्)
Formअव्यय (adverb)
तुतोषwas pleased
तुतोष:
Kriya (क्रिया)
TypeVerb
Rootतुष् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, एकवचन, परस्मैपद
भगवान्the Blessed Lord
भगवान्:
Karta (कर्ता)
TypeNoun
Rootभगवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
देवदेवःGod of gods
देवदेवः:
Karta (कर्ता)
TypeNoun
Rootदेव (प्रातिपदिक) + देव (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (देवानां देवः); पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
महेश्वरःMahēśvara
महेश्वरः:
Karta (कर्ता)
TypeNoun
Rootमहा (पूर्वपद) + ईश्वर (प्रातिपदिक)
Formकर्मधारय-समास; पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
उवाचsaid
उवाच:
Kriya (क्रिया)
TypeVerb
Rootवच् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, एकवचन, परस्मैपद
दानवम्to the Dānava (demon)
दानवम्:
Sampradana (सम्प्रदान)
TypeNoun
Rootदानव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
कालेat the time
काले:
Adhikarana (अधिकरण)
TypeNoun
Rootकाल (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
मेघगम्भीरयाwith cloud-deep (voice)
मेघगम्भीरया:
Karana (करण)
TypeAdjective
Rootमेघ (प्रातिपदिक) + गम्भीर (प्रातिपदिक)
Formकर्मधारय-समास; स्त्रीलिङ्ग, तृतीया-विभक्ति, एकवचन (गिरा इत्यस्य विशेषणम्)
गिराwith a voice/speech
गिरा:
Karana (करण)
TypeNoun
Rootगिर् (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन

Narrator (contextual; transition into Śiva’s speech)

Tirtha: Revā/Narmadā (contextual)

Type: river

Scene: After long austerity, the atmosphere shifts: Mahādeva is pleased; a thundercloud-deep divine voice resounds, addressing the Dānava devotee at the destined moment.

M
Maheśvara (Śiva)
D
Dānava (Kambu)

FAQs

When austerity and worship mature, divine response comes ‘in due time’—grace follows perseverance.

Implicitly the Narmadā-tīrtha context continues, where the tapas was performed.

No new rite is prescribed here; it marks the fruition of prior worship as Śiva grants audience and speech.