Pavamāna Soma’s purified flow as the energizing offering that draws the gods to the rite
असृग्रं देववीतये वाजयन्तो रथा इव
asṛgraṃ devavītaye vājayanto rathā iva
asṛ1graṃ deva2vītaye vā3jayanto rathā iva
พวกเขาเร่งมันให้ก้าวไป เพื่อเชื้อเชิญและได้มาซึ่งเหล่าเทพ; ใฝ่หารางวัลดุจรถศึกที่ถูกขับสู่เส้นชัย.
asṛgram | deva-vītaye | vājayantaḥ | rathāḥ | iva
Rathantara (probable Agneya usage; exact assignment varies by śākhā)
{ "prastava": "(stobha prelude establishing motion)", "udgitha": "asṛgraṃ devavītaye", "pratihara": "vājayanto", "upadrava": "rathā iva", "nidhana": "(cadential close; may repeat a key word such as devavītaye in gāna)", "structure_notes": "Because the text is short, Sāmavedic practice typically expands via repetition and stobhas to fill the five-part frame; devavītaye is a natural nidhana-anchor.", "singer_assignments": "Standard five-part roles; pratihāra can sharply answer with vājayantaḥ to heighten ‘striving’." }
{ "gloss_summary": "Sāyaṇa interprets devavīti as devānāṃ prāpaṇam—bringing/obtaining the gods; ‘impelling’ is the priestly act of setting stotra/śastra in motion so the gods are won to attendance. The chariot simile expresses directed urging toward a goal.", "ritual_interpretation": "A functional stotra line: the chant actively ‘brings’ deities to the sacrifice, like chariots driven to the finish.", "theological_insight": "Divine presence is mediated by correctly propelled liturgy; effort (vāja-seeking) and invitation (devavīti) are inseparable in śrauta theology.", "etymology_highlights": "devavīti—deva+vīti (seeking/obtaining/bringing); vāja—prize/strength; √sṛ/√sṛj nuance in asṛgram as ‘setting forth/impelling’." }