Aindra stuti at Soma-pressing: praising Indra’s might and inviting him to drink the expressed Soma for protection and welfare
यस्ते नूनं शतक्रतविन्द्र द्युम्नितमो मदः तेन नूनं मदे मदेः
yaste nūnaṃ śatakratavindra dyumnitamo madaḥ tena nūnaṃ made madeḥ
yás te nūnáṃ śatakrato índra dyumnítamo mádaḥ | ténā nūnáṃ máde mádeḥ ||
ความปีติอันเมามายซึ่งบัดนี้เป็นของท่าน โอ อินทรา (Indra) ผู้เป็นเจ้าแห่งพิธีร้อยประการ (śatakratu) ผู้รุ่งเรืองยิ่งนัก; ด้วยความเมามายนั้น ขอท่านจงปีติในความเมามายทุกครา ณ บัดนี้เถิด.
yaḥ te nūnam śatakrato indra dyumnitamaḥ madaḥ | tena nūnam made madeḥ ||
Aindra (generic Sāman setting; specific tune not stated in input)
{ "prastava": "(Stobha prelude such as ‘hā’/‘ho’ may precede; exact Kauthuma gāna form not supplied)", "udgitha": "yás te nūnáṃ śatakrato índra dyumnítamo mádaḥ", "pratihara": "ténā nūnáṃ", "upadrava": "máde mádeḥ", "nidhana": "(Prolonged closing with stobha-supported cadence; exact form not supplied)", "structure_notes": "Given the strong repetition, Kauthuma performance commonly distributes semantic text into udgītha/pratihāra/upadrava while using stobhas to lengthen transitions; without the gāna text, segmentation is indicative.", "singer_assignments": "Prastotṛ initiates (prastāva), Udgātṛ carries udgītha and upadrava, Pratihartṛ responds (pratihāra), finale (nidhana) may be joined/closed in ensemble per śākhā practice." }
{ "gloss_summary": "Sāyaṇa glosses ‘mada’ as soma-janya-harṣa (Soma-born exhilaration) and reads the address as urging Indra to take up that splendid exhilaration now.", "ritual_interpretation": "‘made madeḥ’ is taken as prati-savana—at each pressing/libation Indra is enjoined to be newly exhilarated and present to receive Soma.", "theological_insight": "Indra’s empowerment is not static; it is ritually renewed through offering and stotra—divine presence is invoked as a living recurrence.", "etymology_highlights": "‘mada’ linked to exhilaration from Soma; ‘śatakratu’ as one whose kratu (effective will/ritual capacity) is manifold and unfailing." }