Shloka 58
Hymn of Victory: Varāha, the Slaying of Hiraṇyākṣa, and the Praise of Viṣṇu
दानवाधिपतिः संख्ये ह्यव्ययो हरिरीश्वरः । स च कश्मलतां गत्वा सर्वशक्तिमनुत्तमाम्
dānavādhipatiḥ saṃkhye hyavyayo harirīśvaraḥ | sa ca kaśmalatāṃ gatvā sarvaśaktimanuttamām
ในสนามรบ พระหริ—องค์อิศวรผู้ไม่เสื่อมสูญ—ทรงเป็นจอมเหนือเหล่าทานวะ; ครั้นเสด็จถึงภาวะมึนงงแล้ว จึงทรงสำแดงพลังอันยอดยิ่ง ผู้ทรงฤทธิ์ครอบคลุมทั้งปวง
Narratorial voice within the Sṛṣṭikhaṇḍa dialogue context (speaker not explicit in the single verse provided)
Concept: Hari is avyaya (imperishable) īśvara whose supremacy stands even amid the bewildering turns of battle; ultimate power belongs to the all-potent Lord.
Application: In confusing phases of life, remember the unchanging center: align with what is steady (values, devotion, truth). Let temporary ‘kasmala’ become a doorway to deeper strength rather than panic.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"After the storm of weapons, the battlefield pauses: Hari stands unwearied and imperishable, while a haze of bewilderment rolls across the opposing host like a dark mist. From Vishnu’s chest and aura, an unsurpassed all-potent radiance expands outward, quieting the chaos into awe.","primary_figures":["Hari (Vishnu)","Dānava host (subdued/astonished)"],"setting":"Battlefield transitioning into cosmic stillness—dust settling, broken weapons on the ground, sky clearing into a vast luminous dome.","lighting_mood":"after-storm divine glow","color_palette":["pale gold","sapphire blue","mist gray","pearl white","deep teal"],"tanjore_prompt":"Tanjore painting style: Vishnu centered with expansive gold-leaf halo and prabhāmaṇḍala; subdued dānava figures at lower register; mist rendered with soft gradients; heavy gold embellishment on Vishnu’s ornaments and the radiance spreading like concentric lotus rings.","pahari_prompt":"Pahari miniature style: quiet aftermath scene with delicate atmospheric perspective; Vishnu luminous and calm, mist drifting across the field; softened palette, fine detailing of settling dust and distant figures, contemplative composition.","kerala_mural_prompt":"Kerala mural style: iconic Vishnu with serene gaze, large eyes; radiance as stylized concentric patterns; background shifting from dark to light; natural pigment palette emphasizing the transition from turmoil to order.","pichwai_prompt":"Pichwai cloth painting style: Vishnu framed by lotus medallions; radiance stylized as layered floral mandalas; subdued adversaries at the margins; deep indigo-to-gold gradient background with intricate borders and fine textile ornamentation."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","long conch drone","settling wind","distant thunder fading","silence"]}
Sandhi Resolution Notes: ह्यव्ययः = हि + अव्ययः; हरिरीश्वरः = हरिः + ईश्वरः.
FAQs
Hari is a common epithet of Viṣṇu, and Īśvara means the supreme Lord; together they emphasize Viṣṇu’s imperishable sovereignty (avyaya) even within conflict narratives.
Kaśmala commonly denotes confusion, delusion, or a morally clouded state; in Purāṇic usage it can mark a dramatic turning point where divine power or clarity is reasserted.
It stresses the doctrine of supreme, unsurpassed divine potency—i.e., the Lord’s power is not partial but all-encompassing and ultimately unrivaled.